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This case presents the issue of whether a biographer (Hamilton) of a renowned author (Salinger) made “fair use” of his subject’s unpublished letters. The District Court granted a temporary restraining order in favor of Salinger but subsequently issued an opinion denying a preliminary injunction. 650 F. Supp. 413. (1986). In the District Court’s view, the extent of copying of expressive material entitled to copyright protection was minimal and that such use as Hamilton had made was “fair use” within the meaning of the Copyright Act, 17 U.S.C. § 107 (1982). The Circuit Court reversed and remanded the lower court decision, determining that on balance, the claim of fair use as to Salinger’s unpublished letters failed.

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In this case, Defendant was preparing a series of essays in a book, and requested permission to quote extensively from interviews in Plaintiff’s book. Despite the denial of permission, Defendant included numerous verbatim quotations in his book. The Second Circuit Court of Appeals was asked to decide whether the District Court properly granted summary judgment in favor of the defendant on the basis of fair use in an action for copyright infringement. The Second Circuit concluded from their evaluation of the factors that the fair use defense was properly sustained as a matter of law. They affirmed the District Court’s grant of summary judgment in favor of defendant.

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Plaintiff sued defendant and the Gagosian Gallery, alleging that defendant’s series of paintings and collages infringed on plaintiff’s registered copyrights in certain photographs from a book of classical portraits and landscape photographs that plaintiff took while living among Rastafarians in Jamaica. The district court concluded that, in order for defendant to use a fair use defense, defendant’s work must comment on plaintiff, on plaintiff’s photographs, or on aspects of popular culture closely associated with plaintiff or the photographs. The court concluded that the district court applied the incorrect standard to determine whether defendant’s artworks made fair use of plaintiff’s copyrighted photographs; that all but five of defendant’s works did make fair use of the photographs; and with regard to the remaining five artworks at issue, the court remanded to the district court to consider whether defendant was entitled to a fair use defense. Accordingly, the court reversed in part, vacated in part, and remanded. View “Cariou v. Prince” on Justia Law

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Copyrighted images used in book were fair use under 17 U.S.C. § 107. The case balances a number of factors, including the purpose of the use of the copyrighted work, how it is presented (reduced size photos), and the market harm to other uses of the work.

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Two groups of plaintiffs, holders of copyrights in programs broadcast on network television, filed copyright infringement actions against Aereo. Aereo enabled its subscribers to watch broadcast television programs over the internet for a monthly fee. Plaintiffs moved for a preliminary injunction barring Aereo from transmitting programs to its subscribers while the programs were still airing, claiming that those transmissions infringed their exclusive right to publicly perform their works. The district court denied the motion and plaintiffs appealed. The court concluded that Aereo’s transmissions of unique copies of broadcast television programs created at its users’ request and transmitted while the programs were still airing on broadcast television were not “public performances” of plaintiffs’ copyrighted works under Cartoon Network LP, LLLP v. CSC Holdings, Inc. As such, plaintiffs have not demonstrated that they were likely to prevail on the merits on this claim in their copyright infringement action. Nor have they demonstrated serious questions as to the merits and a balance of hardships that tipped decidedly in their favor. Accordingly, the court affirmed the district court’s order denying plaintiffs’ motion. View “WNET v. Aereo, Inc.” on Justia Law

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Plaintiffs, producers and owners of copyrighted television programming, sued defendants for streaming plaintiffs’ copyrighted television programming over the Internet live and without their consent. The court, applying Chevron analysis, held that: (1) the statutory text was ambiguous as to whether defendant, a service that retransmitted television programming over the Internet, was entitled to a compulsory license under section 111 of the Copyright Act, 17 U.S.C. 111; (2) the statute’s legislative history, development, and purpose indicated that Congress did not intend for section 111 licenses to extend to Internet retransmissions; (3) the Copyright Office’s interpretation of section 111 – that Internet retransmissions services did not constitute cable systems under section 111 – aligned with Congress’ intent and was reasonable; and (4) accordingly, the district court did not abuse its discretion in finding that plaintiffs were likely to succeed on the merits of the case. The court also concluded that the district court did not abuse its discretion in finding irreparable harm; in balancing the hardships; and considering the public interest. View “WPIX, Inc. v. IVI, Inc.” on Justia Law

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Scholz Design created technical drawings for three homes and submitted them to the Copyright Office in 1988 and 1989 with front elevation drawings showing the front of the houses surrounded by lawn, bushes, and trees. Scholz obtained copyrights. In 1992 Scholz entered an agreement permitting Sart to build homes using the plans, for a fee of $1 per square foot of each house built. The agreement required that Sard not “copy or duplicate any of the [Scholz] materials nor . . . [use them] in any manner to advertise or build a [Scholz Design] or derivative except under the terms and conditions of the agreement.” Scholz claimed that after termination of the agreement, Sard and real estate companies posted copies of the drawings on advertising websites and sued for violation of copyrights, 15 U.S.C. 1051, breach of contract, and violations of the Digital Millennium Copyright Act, 17 U.S.C. 1201. The district court dismissed, finding that the copied images did not fulfill the intrinsic function of an architectural plan. The Second Circuit reversed. Architectural technical drawings might be subject to copyright protection even if they are not sufficiently detailed to allow for construction. View “Scholz Design, Inc. v. Sard Custom Homes, LLC” on Justia Law

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Scholz Design created technical drawings for three homes and submitted them to the Copyright Office in 1988 and 1989 with front elevation drawings showing the front of the houses surrounded by lawn, bushes, and trees. Scholz obtained copyrights. In 1992 Scholz entered an agreement permitting Sart to build homes using the plans, for a fee of $1 per square foot of each house built. The agreement required that Sard not “copy or duplicate any of the [Scholz] materials nor . . . [use them] in any manner to advertise or build a [Scholz Design] or derivative except under the terms and conditions of the agreement.” Scholz claimed that after termination of the agreement, Sard and real estate companies posted copies of the drawings on advertising websites and sued for violation of copyrights, 15 U.S.C. 1051, breach of contract, and violations of the Digital Millennium Copyright Act, 17 U.S.C. 1201. The district court dismissed, finding that the copied images did not fulfill the intrinsic function of an architectural plan. The Second Circuit reversed. Architectural technical drawings might be subject to copyright protection even if they are not sufficiently detailed to allow for construction. View “Scholz Design, Inc. v. Sard Custom Homes, LLC” on Justia Law

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In 2005, Forest Park formulated a concept for a television show called “Housecall,” in which a doctor, after being expelled from the medical community for treating patients who could not pay, moved to Malibu, California, and became a concierge doctor to the rich and famous. Forest Park created character biographies, themes, and storylines, which it mailed to Sepiol, who worked for USA Network. Initial discussions failed. A little less than four years later, USA Network produced and aired a television show called “Royal Pains,” in which a doctor, after being expelled from the medical community for treating patients who could not pay, became a concierge doctor to the rich and famous in the Hamptons. Forest Park sued USA Network for breach of contract. The district court held that the claim was preempted by the Copyright Act, 17 U.S.C.101, and dismissed. The Second Circuit reversed. Forest Park adequately alleged the breach of a contract that included an implied promise to pay; the claim is based on rights that are not the equivalent of those protected by the Copyright Act and is not preempted. View “Forest Park Pictures v. USA Network, Inc.” on Justia Law

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In these parallel cases, separate petitions were filed requesting the district court to set a “reasonable” rate after ASCAP and BMI were unable to agree on licensing fees with DMX, a provider of background/foreground music. In both cases, the district court adopted DMX’s proposals. The court held the Second Amended Final Judgment (AFJ2) permitted blanket licenses subject to carve-outs to account for direct licensing and the court rejected ASCAP’s claim that a blanket license with an adjustable carve-out conflicted with the AJF2. The court concluded that the district court in both cases found that ASCAP and BMI did not sustain their burdens of proving that their proposals were reasonable; no legal error contributed to these findings and the findings supported by the record were not clearly erroneous; and in both instances, the district court had the authority to set a reasonable rate for DMX’s licenses. Accordingly, the court held that the district court did not err in setting DMX’s licensing rates with ASCAP and BMI and that the rates set by the district court were reasonable. View “Broadcast Music, Inc. v. DMX Inc.; American Society of Computers, Authors and Publishers v. THP Capstar Acquisition Corp.” on Justia Law