The Copyright Office issued an interim regulation in the Federal Register Jan 25, giving a qualified exemption to mandatory copyright deposit requirement for online works published in the United States.  The exemption does not apply to online works that are also published in physical form.

The regulation exempts online works, but only unless the Copyright Office issues a demand for deposit.  The Copyright Office will set up categories of works subject to demand, starting with electronic serials i.e.: periodicals; newspapers; annuals; and the journals, proceedings, transactions, etc. of societies.

The regulation sets forth the process for issuing and responding to a demand for deposit, amends the definition of a ``complete copy'' and establishes new best edition criteria for electronic serials available only online.

It is interesting to read that the Copyright Office only got a handful of comments to its July 15 notice. It appears that commenters got a heavier weight because of this, and several comments are referred to in the Register.

Michael Geist offers us a useful background on the Anti-Counterfeiting Trade Agreement (ACTA) talks happening now in Mexico in The ACTA Guide, Part One: The Talks To-Date

He includes a chronology going back to 2004 on origins of the anti counterfeiting trade agreement. He also provides a summary of the leaked U.S. proposal from last November. See especially these provisions that tighten inducement and access (as the DMCA does).

Paragraph 2 - Third party liability.  The third party liability provisions focus on copyright, though an EU document notes that it could (should) be extended to trademark and perhaps other IP infringement.  The goal of this section is to create an international minimum harmonization regarding the issue of what is called in some Member States "contributory copyright infringement".  The U.S. proposal would include "inducement" into the standard, something established in the U.S. Grokster case, but not found in many other countries.  This would result in a huge change in domestic law in many countries (including Canada).

Paragraph 4 - Anti-circumvention Provisions.  ACTA would require civil and criminal penalties associated with anti-circumvention provisions (legal protection for digital locks).  This goes beyond the requirements of the WIPO Internet treaties and beyond current EU law which "leaves a reasonable margin of discretion to Member States."  There is no link between the anti-circumvention provisions and copyright exceptions.  The U.S. proposal also requires the anti-circumvention provisions to apply to TPMs that merely protect access to a work (rather than reproduction or making available).   This would again go beyond current EU law to include protection against circumventing technologies like region coding.  From a Canadian perspective, none of this is currently domestic law.  As previously speculated, the clear intent is to establish a Global DMCA.

Paragraph 5 - Civil and Criminal Enforcement of Anti-Circumvention. As noted above, this section requires both civil and criminal provisions for the anti-circumvention rules, something not found in the WIPO Internet treaties. The anti-circumvention provisions are also designed to stop countries from establishing interoperability requirements (ie. the ability for consumers to play purchased music on different devices).  The EU notes that this not consistent with its law, which states "Compatibility and interoperability of the different systems should be encouraged."  Of course, might reasonable ask why such a provision is even in ACTA.

Paragraph 6 - Rights Management Information protection. This section includes similar criminal and civil requirements for rights management information.


Take a look at the evolution of U.S. formalities, especially as represented in concise chart form on pages 12-13 in Jane Ginsberg's "The US Experience with Copyright Formalities: A Love/Hate Relationship"
Columbia Public Law Research Paper No. 10-225, posted for free at SSRN.It is especially useful in detailing deposit requirements, and the effect of recordation of transfers. Also takes a look at alternatives to registration wrt "marking off" ownership rights a la Creative Commons, noting that the DMCA prohibits the removal of such digital ownership markings. Brief look at what copyright examiners focus on, when approving copyright registrations. Overall an informative read. Recommended.


Here's a great opportunity to talk with Stanford Law Library folks who are co-hosting the free workshop with Carl Malamud (Public.resource.org) on making primary legal materials more accessible. Joining the discussion will be Anurag Acharya (Google) and Jonathan Zittrain (Harvard).

Registration is required. Contact Erika Wayne evwayne@stanford.edu to register.

Here's the schedule. Hope to see you there.

Law.Gov Workshop
Stanford University Law School, Rm 290
January 12, 2010

9AM - Coffee available for early arrivals

10AM - Welcome and Overview

10:30AM - The National Inventory of Primary Legal Materials
Discussion of how to define primary legal materials.
Discussion of how to structure the national survey, including what  
information to collect.

11:15AM - General Discussion of Legal Issues
Discussion of issues such as copyright over primary legal materials,  
enabling legislation, and other issues of the law.

12PM - Lunch

1PM-2PM - Public Presentation, Room 290
"Law.Gov - A Revolution in Legal Affairs"
Anurag Acharya (Google), Carl Malamud (Public.Resource.Org), Jonathan  
Zittrain (Harvard)

2:15-3:30 - Technical Discussion
Discussion of technical challenges, including specification of a core  
open source system, issues of markup and citation, issues of privacy,  
issues of ingestion, issues of authentication.
----------------------------------
Pay parking available at Parking Structure 6 (PS6) at Campus Drive
East and Arguello Mall and the Tresidder Lot near Tresidder Union and
the Faculty Club, off Mayfield Ave.
SSRN Abstract:     

The conventional rationale for copyright of written works, that copyright is needed to foster their creation, is seemingly of limited applicability to the academic domain. For in a world without copyright of academic writing, academics would still benefit from publishing in the major way that they do now, namely, from gaining scholarly esteem. Yet publishers would presumably have to impose fees on authors, because publishers would no longer be able to profit from reader charges. If these author publication fees would actually be borne by academics, their incentives to publish would be reduced. But if the publication fees would usually be paid by universities or grantors, the motive of academics to publish would be unlikely to decrease (and could actually increase) – suggesting that ending academic copyright would be socially desirable in view of the broad benefits of a copyright-free world. If so, the demise of academic copyright should probably be achieved by a change in law, for the “open access” movement that effectively seeks this objective without modification of the law faces fundamental difficulties.

Should Copyright of Academic Works Be Abolished? Working Paper by Steven Shavell
Harvard Law School; National Bureau of Economic Research (NBER) December 18, 2009
The Copyright Royalty Judges are asking for comment on proposed regulations resulting from a settlement between SoundExchange and the Digital Media Association concerning he statutory minimum fees Commercial Webcasters must pay to play sound recordings and make ephemeral recordings.

Comments and objections are due January 22, 2010 to crb@loc.gov. More details at Federal Register: December 23, 2009 (Volume 74, Number 245) http://regulations.justia.com/view/161472/

Royalty fees for the public performance of sound recordings and for ephemeral recording.

* * * * *
    (b) Minimum fee--(1) Commercial Webcasters. Each Commercial Webcaster will pay an annual, nonrefundable minimum fee of $500 for each calendar year or part of a calendar year of the period 2006-2010 during which it is a Licensee pursuant to 17 U.S.C. 112(e) or 114. This  annual minimum fee is payable for each individual channel and each individual station maintained by Commercial Webcasters, and is also payable for each individual Side Channel maintained by Broadcasters who are Commercial Webcasters, provided that a Commercial Webcaster shall not be required to pay more than $50,000 per calendar year in minimum fees in the aggregate (for 100 or more channels or stations). The minimum fee payable under 17 U.S.C. 112 is deemed to be included within  the minimum fee payable under 17 U.S.C. 114. Upon payment of the minimum fee, the Commercial Webcaster will receive a credit in the amount of the minimum fee against any royalty fees payable in the same calendar year.
    (2) Noncommercial Webcasters. Each Noncommercial Webcaster will pay an annual, nonrefundable minimum fee of $500 for each calendar year or part of a calendar year of the license period during which they are Licensees pursuant to licenses under 17 U.S.C. 114. This annual minimum fee is payable for each individual channel and each individual station maintained by Noncommercial Webcasters and is also payable for each individual Side Channel maintained by Broadcasters who are Licensees. The minimum fee payable under 17 U.S.C. 112 is deemed to be included within the minimum fee payable under 17 U.S.C. 114. Upon payment of the minimum fee, the Licensee will receive a credit in the amount of the minimum fee against any additional royalty fees payable in the same calendar year.


World’s Fair Use Day (WFUD) is a free, all-day celebration of fair use: the legal right that allows innovators and creators to make particular uses of copyrighted materials. The day will highlight new and innovative uses of existing content; provide the perspectives of artists, policymakers, academics and business innovators; and teach how fair use can enrich your creative work. Also via facebook.

Tentative Schedule of Events

* Fair Use Film Screenings

* Morning Keynote: The Honorable Mike Doyle

* Panel 1: Artistic Innovations and Participatory Culture

* Panel 2: Emerging Media: Commentary, Criticism and the New Publishing Paradigm

* Panel 3: Tech Unbound: Fair Use for Innovation

* Panel 4: Speed Fair(Us)e
Copyright Office Notice of Inquiry and Request for Comments on
the Topic of Facilitating Access to Copyrighted Works for the Blind or
Other Persons With Disabilities

The proposal would permit the cross-border import,
export and qualified distribution of copyrighted works in accessible
formats without the permission of the rights holders, including to
countries that presently lack, in their national laws, a specific
copyright exception or other legal framework for serving the visually
impaired. The proposal would also permit the circumvention of
technological protection measures for the purpose of making works
accessible.

In particular, the Copyright Office and USPTO are interested in learning
about 1) how the treaty proposal would interact with existing U.S. law;
2) how the treaty proposal would interact with existing international
obligations of the U.S.; 3) the possible benefits of or concerns about
the treaty proposal, including with regard to the objectives of the
treaty proposal, how those objectives could lead to improved access for
the blind and visually impaired, and any concerns about the
implementation of the proposed treaty provisions in the U.S. or abroad;
and 4) other possible courses of action that would facilitate access by
``blind, visually impaired, and other reading disabled persons.''

http://regulations.justia.com/view/156017/

(posted by Peter Hirtle; cross-posted from http://blog.librarylaw.com)

Earlier this fall I wrote about what I called "the other coursepack case" (in Michigan, as opposed to the Georgia State case).  Partial summary judgment has been granted, and it is a mixed bag for educational fair use.

In the decision, the judge rejected all of the defenses that the defendant, Excel Copying, put forward.  First, the court rejected, as I suspected it would, the argument that the licenses secured by the University of Michigan library authorized the copying. 

It also rejected the stronger argument that Excel engaged in no direct infringing activity itself, since it was the students, and not Excel, that made the copies.  The court found that because Excel "is the source of the reproduction," it had the same liability as if it had made the reproductions.  Excel gathered the material, collated and numbered the copies, assisted students who were having trouble copying, and did everything except actually push the "start" button on the photocopy machine.  The court therefore concluded that Excel, and not the students, made the copies.  Furthermore, it found that lending the master copy of the course pack to the students violated the publishers' distribution right - even though there is no discussion in the opinion as to whether the master is itself a legal copy, and hence could be loaned under the first sale doctrine.

Lastly, the court completely rejected a fair use argument.  It accepted the reasoning of the majority in the Michigan Document Services (MDS) case that fair use was not applicable.  Because Excel is a commercial operation, the purpose of the copying was not educational.  As to the second factor, the court ignored the informational character of the readings, but said that since they were creative, it ruled against fair use.  ("The nature of the material is certainly creative, which militates against a finding of fair use.")  Of course, to be protected by copyright, a work must be creative.  If the court's reasoning were followed, the second factor must always weigh against fair use.  The court found that the third factor, the amount of the use, also weighed against the defendant, since the professors had selected the excerpts, which means that they must have substance.  Again, if one accepted this reasoning, it would be hard to know when an excerpt selected for a class could ever be a fair use.  Finally, on the fourth factor, the court found that because Excel does not pay licensing fees when its competitors do, the market for the copyrighted works is harmed.

I suppose that it should come as no surprise that in its fair use analysis, the court clung closely to the decision in MDS.  (It is also telling that the one commentator on MDS that it cited was Doug Lichtman of UCLA.  While I greatly enjoy his podcasts, he does seem to believe that if a use can be licensed, there should be no fair use.  Fair use should only apply in those situations, such as criticism or parody, when it is unlikely a license could be secured.) 

I was more surprised by the conclusion that because Excel enabled students to make copies, it was directly responsible for that copying.  To the eyes of this non-lawyer, this would seem to be a classic case of contributory, not direct, infringement. 

It makes me wonder as well about the potential liability of libraries.  It is common for libraries to receive from a faculty member a copy of a course pack and place it on reserve (much as faculty members provided copies of their course packs to Excel).  If a student then borrowed that course pack and copied it on a library photocopy machine, would the library be liable?  Section 108(f) of the Copyright Act protects libraries from charges of contributory infringement for copying done by patrons on library equipment, but could this decision be extended to suggest that libraries, just like Excel, have direct, not contributory, liability  for infringing copies made by students?  If so, the "safe harbor" of 108(f) would evaporate.  The court did concede that if a student secured a copy of a course pack from a friend "or other third party," brought it to a commercial copy shop, and made the copy, the copy shop may not be liable for copyright infringement.  Perhaps a library could be "a third party."

The potential good news for fair use in the decision rests more in what the court did not decide.  First, as with the MDS decision, by focusing on the commercial nature of Excel's copying, the court left open the question of the legality of similar copying conducted by a not-for-profit educational institution.  We will have to wait for a decision in the Georgia State case to see how that plays out.  Second, the court acknowledged MDS's contention that copying by students is problematic and may not be a fair use, but it chose not to address that issue as well.

All in all, this case seems to be one more rejection of the plain language of the fair use statute, which indicates that multiple copies for classroom use are not infringements of copyright. 

(Note: Mary Minow also briefly discusses this case.  There is also a very useful discussion that echoes many of the same points I make on the Exclusive Rights blog.  PH)

Although the students press the "start" button to make a copy of a coursepack, the copyshop is the "source of the reproduction" supplying a master copy of the coursepack, equipment and staff assistance.  This is vastly different, says the court, from a scenario in which a student gets a coursepack from a friend and steps into a copyshop to duplicate.  Short work is made of the Fair Use analysis: 
Purpose is commercial (it's the copyshop's purpose, not the student's)
Nature - creative
Amount - MDS case cited, showing that professors tend to choose qualitatively important material
Market - adverse impact because the copyshop can undercut competing shops that pay royalty fees
Blackwell Publishing v Miller at



http://docs.justia.com/cases/federal/district-courts/michigan/miedce/2:2007cv12731/222190/54/

Your suggestions are welcomed at any time. Please send to fairusecontent@justia.com