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    <title>Fairly Used</title>
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    <updated>2012-01-09T21:02:07Z</updated>
    
    <generator uri="http://www.sixapart.com/movabletype/">Movable Type Publishing Platform 4.01</generator>

<entry>
    <title>Attack on Open Access</title>
    <link rel="alternate" type="text/html" href="http://fairuse.stanford.edu/blog/2012/01/attack-on-open-access.html" />
    <id>tag:www.fairlyusedblog.com,2012://1.102</id>

    <published>2012-01-07T00:36:06Z</published>
    <updated>2012-01-09T21:02:07Z</updated>

    <summary>Even very popular government mandates have opponents, and the National Institutes of Health’s (NIH) Public Access Policy certainly has its critics. According to the agency, “The NIH Public Access Policy implements Division G, Title II, Section 218 of PL 110-161...</summary>
    <author>
        <name>Eli Edwards</name>
        
    </author>
    
    <category term="aap" label="AAP" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="openaccess" label="open access" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="pubmed" label="PubMed" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="researchworksact" label="Research Works Act" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="scholarlypublishing" label="scholarly publishing" scheme="http://www.sixapart.com/ns/types#tag" />
    
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        <![CDATA[<p>Even very popular government mandates have opponents, and the National Institutes of Health’s (NIH) Public Access Policy certainly has its <a href="http://www.publishers.org/issues/5/9/" target="_blank">critics</a>.</p>

<p>According to the agency, “The <a href="http://publicaccess.nih.gov/policy.htm" target="_blank">NIH Public Access Policy</a> implements Division G, Title II,  Section 218 of PL 110-161 (Consolidated Appropriations Act, 2008).  The law states:”</p>

<blockquote>The Director of the National Institutes of Health shall require that all investigators funded by the NIH submit or have submitted for them to the National Library of Medicine’s PubMed Central an electronic version of their final, peer-reviewed manuscripts upon acceptance for publication, to be made publicly available no later than 12 months after the official date of publication: Provided, That the NIH shall implement the public access policy in a manner consistent with copyright law.</blockquote>

<p>Critics of the policy are making a move, <a href="http://paulcourant.net/2008/09/17/fair-copyright-in-research-works/" target="_blank">yet again</a>, to eviscerate it.</p>

<p>Last month, Representatives Darrel Issa (R-CA) and Carolyn Maloney (D-NY) introduced <a href="http://thomas.loc.gov/cgi-bin/bdquery/z?d112:h.r.3699:" target="_blank">The Research Works Act, H.R. 3699</a>.  The bill is currently referred to the House Committee on Oversight and Government Reform (which Rep. Issa chairs).</p>

<p>The Association of American Publishers <a href="http://www.publishers.org/press/56/" target="_blank">lauds the bill</a>, which it describes as</p>

<blockquote>… [prohibiting] federal agencies from unauthorized free public dissemination of journal articles that report on research <i>which, to some degree, has been federally-funded</i> but is produced and published by private sector publishers receiving no such funding. It would also <i>prevent non-government authors from being required to agree to such free distribution of these works</i>. Additionally, it would <i>preempt federal agencies’ planned funding, development and back-office administration of their own electronic repositories for such works</i>, which would duplicate existing copyright-protected systems and unfairly compete with established university, society and commercial publishers.</blockquote> 

<p>(Emphasis mine)</p>

<p>Evolutionary biologist and Public Library of Science co-founder Michael Eisen <a href="http://www.michaeleisen.org/blog/?p=807" target="_blank">has done some research</a>, finding that 12 of Reed Elsivier’s (and their senior executives) 31 political contributions for 2011 went to Rep. Maloney, co-sponsor of the bill, <a href="http://maplight.org/us-congress/contributions?sort=asc&amp;order=Recipient&amp;s=1&amp;office_party=House%2CDemocrat%2CRepublican%2CIndependent&amp;election=2012&amp;string=Elsevier&amp;business_sector=any&amp;business_industry=any&amp;source=All">totaling $8,500</a>. He also argues that while the bill refers to “private-sector research work,” the definition of such in the bill encompasses research products that receive funds from government agencies, thus invalidating the NIH Public Access Policy.</p>

<p>Some Blogosphere reactions to the bill include:</p>

<p><a href="http://libraryattack.com/?p=343" target="_blank">SOPA and the Research Works Act: Evil master plan or do publishers think so little of us?</a> from Library Attack</p><p>
<a href="http://www.keionline.org/node/1341" target="_blank">Representatives Issa (R-CA) and Maloney (D-NY) introduce anti-open access legislation</a> from Knowledge Ecology International</p><p>
<a href="http://www.wired.com/wiredscience/2012/01/congress-considers-paywalling-science-you-already-paid-for/" target="_blank">Congress Considers Paywalling Science You Already Paid For</a>
<a href="http://boingboing.net/2012/01/06/congress-wants-to-limit-open-a.html" target="_blank">Congress wants to limit open access publishing for the US government’s $28B/year subsidized research</a> from BoingBoing<br /></p><p><a href="http://www.theatlantic.com/technology/archive/2012/01/why-is-open-internet-champion-darrell-issa-supporting-an-attack-on-open-science/250929/" target="_blank">Why Is Open-Internet Champion Darrell Issa Supporting an Attack on Open Science?</a> from The Atlantic Online</p><p><a href="http://scienceblogs.com/confessions/2012/01/scholarly_societies_its_time_t.php">Scholarly Societies: It's time to abandon the AAP over The Research Works Act</a> from Confessions of a Science Librarian</p><p><a href="https://plus.google.com/u/0/109377556796183035206/posts/QYAH1jSJG6L">New bill to block open access to publicly-funded research</a> from Peter Suber<br /></p>

<p>The Alliance for Taxpayer Access, an Open Access advocacy group, already has a <a href="http://www.taxpayeraccess.org/action/action_access/12-0106.shtml" target="_blank">Take Action page</a>, asking supporters of the NIH Public Access Policy to call Reps. Issa and Maloney, as well as other members of the House Committee on Oversight and Government Reform.</p>

<p>We at Fairly Used will continue to look for news and reactions to this bill.</p>
]]>
        

    </content>
</entry>

<entry>
    <title>Behind the Scenes With Winston Tabb, Representing Libraries at the World Intellectual Property Organization (WIPO)</title>
    <link rel="alternate" type="text/html" href="http://fairuse.stanford.edu/blog/2011/07/behind-the-scenes-with-winston.html" />
    <id>tag:www.fairlyusedblog.com,2011://1.101</id>

    <published>2011-07-05T01:53:50Z</published>
    <updated>2011-07-07T01:24:32Z</updated>

    <summary><![CDATA[  BEHIND THE SCENES WITH WINSTON TABB, REPRESENTING LIBRARIES AT THE WORLD INTELLECTUAL PROPERTY ORGANIZATION (WIPO)Mary Minow:&nbsp; Good morning. I understand that international treaty discussions concerning libraries, archives and copyright are scheduled in Geneva in November 2011.&nbsp; How did that...]]></summary>
    <author>
        <name>Mary Minow</name>
        <uri>http://blog.librarylaw.com/</uri>
    </author>
    
        <category term="Commentary, Analysis, and Interviews" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="copyright" label="copyright" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="ifla" label="IFLA" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="internationalcopyright" label="international copyright" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="wipo" label="WIPO" scheme="http://www.sixapart.com/ns/types#tag" />
    
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<span class="mt-enclosure mt-enclosure-image"><img alt="winstontabb.jpg" src="http://www.fairlyusedblog.com/winstontabb.jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" height="237" width="137" /></span><p class="MsoNormal" style=""><b><font style="font-size: 1em;">BEHIND THE SCENES WITH WINSTON TABB, REPRESENTING LIBRARIES AT THE <a href="http://www.wipo.int//portal/index.html.en">WORLD INTELLECTUAL PROPERTY ORGANIZATION</a></font> (WIPO)<br /></b></p><p class="MsoNormal" style=""><br /></p><p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span style="color:black"><b>Mary Minow:</b>&nbsp; Good morning. I understand that
international treaty discussions concerning<span style="mso-field-code:&quot;HYPERLINK \0022http\:\/\/www\.ifla\.org\/en\/news\/unprecedented-opportunity-for-libraries-and-archives-wipo-to-work-on-library-and-archive-copyri\0022 \\t \0022_blank\0022&quot;"><span class="MsoHyperlink"><span style="color:windowtext;text-decoration:none;
text-underline:none"></span></span></span> libraries, archives and copyright are
scheduled in Geneva in November 2011.&nbsp; How did that come to be? </span></p>

<p class="MsoNormal"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal" style=""><span style="color:black"><b>Winston Tabb:</b><span style="mso-spacerun: yes">&nbsp;
</span>Really, where we began was at the <a href="http://www.ifla.org/">International Federation of Library Associations and Instititutions</a> (IFLA) World Congress in Oslo in 2005.
We didn't start with the idea of a treaty at all, but with an interest in
finding real-life, detailed examples from our colleagues from all parts of the
world about what issues they were facing with copyright and managing their
libraries. So, we planned a program session in which we organized people into
discussion groups based on regions, both because of linguistic affinities and
because typically regional differences may matter a lot in the challenges faced
by libraries in dealing with intellectual property.<span style="mso-spacerun:
yes">&nbsp;&nbsp; </span>Through this session we came up with a list of very
specific problems that our library colleagues face in different parts of the
world, and that became the basis of our thinking.</span><br /></p><p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><br /></p>

<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span style="color:black">I should add that we were led to plan this session in the
first place because a group of Latin American countries had strongly suggested
at WIPO in 2004 that the Standing Committee on Copyright and Related rights
(SCCR) should focus in the need for limitations and exceptions, and we as a
library community wanted to be prepared to say which L&amp;Es were most
critical to our mission.</span></p>

<p class="MsoNormal"><span style="color:black">Next, we said, if these are the
problems we need to solve, then what is the best way to proceed with that?<span style="mso-spacerun: yes">&nbsp;&nbsp; </span>Around the same time, we and
several other library groups were asked by the World Blind Union to join in the
drafting of the treaty for the visually impaired that was introduced about
three years ago, and we very happy to do so since service to print-disabled
patrons was one of the issues that had surfaced in our dialogue with other
librarians.&nbsp; We realized, in the course of that work, not only that it’s a
really important issue, but that it was good to come first because it was
easily definable, relatively easy to describe exactly what the applicable
universe was.&nbsp; But this treaty solved only one of the issues that
libraries have.<span style="mso-spacerun: yes">&nbsp; </span>So then we decided
that we needed to<span style="mso-spacerun: yes">&nbsp; </span>move more toward
crafting our own, broader instrument on libraries and archives.<span style="mso-spacerun: yes">&nbsp; </span>That process began with a workshop at
the British Library in 2009 where a group of librarians, law professors, and
civil society representatives (including the <a href="http://www.worldblindunion.org/en/Pages/default.aspx">World Blind Union</a>) met to develop
a set of principles that would undergird the treaty we eventually drafted.</span></p>

<p class="MsoNormal"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal" style=""><span style="color:black">We also wanted to get archives engaged with us, and now
they are. Someone from the <a href="http://www.ica.org/3/homepage/home.html">International Council on Archives</a> (ICA) has been
part of our working group as well. So that's it, a short summary of how we got
from thinking about what the library problems are to a document that presents
possible solutions to those problems. </span><br /></p><p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><br /></p>

<p class="MsoNormal" style=""><span style="color:black"><b>Minow:</b> That's great! And then how did you get on the agenda
at WIPO?</span><br /></p><p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><br /></p>

<p class="MsoNormal"><span style="color:black"><b>Tabb: </b>The way we got on the
agenda was by going and going and going!&nbsp; This is one of those situations
where if you're not present, you can just forget about having any impact.<span style="mso-spacerun: yes">&nbsp; </span>You can go to many of these meetings
and maybe very little happens, but if you don't appear, it is definite that
nothing good is going to happen for libraries. &nbsp; So, to back up, when I
was appointed Chair of the Committee on <a href="http://www.ifla.org/clm">Copyright and other Legal Matters</a> (CLM)
of IFLA in 2003, the committee had existed for just six years.<span style="mso-spacerun: yes">&nbsp; </span>It had focused more on programs for the
IFLA conferences and general awareness raising<span style="mso-spacerun:
yes">&nbsp; </span>than on really active representation and engagement at the
international level. There was, at that time, a Swiss who would go to WIPO
meetings and report about what happened, but that was really quite different
from our being formally accredited and regularly sending a delegation. So after
I went to the WIPO General Assemblies and the meeting of the Standing Committee
on Copyright and Related Rights in the fall of 2003, I realized that really we
needed to be much more active. We needed to be present on a more regular basis
and with more force, ideally with broad geographic representation. When you're
at WIPO, there's a lot of time that's not spent in plenary, but in hallway
conversations and caucuses. The more people that we could have there, who could
speak particularly to their own delegations, the greater our impact could be.<span style="mso-spacerun: yes">&nbsp; </span>When I could speak to the US
delegation, [Victoria Owen] to Canada, etc. the easier it was to have access
and impact, because delegates often naturally tend to listen more carefully to
people who are their constituents, so that having a diverse delegation was
important.<span style="mso-spacerun: yes">&nbsp; </span></span></p>

<p class="MsoNormal"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal" style=""><span style="color: black;">As it turned out, it was also a wonderful coincidence of
timing that we began to appear just at the time that WIPO itself began to be
more open to non-governmental agencies (NGOs)</span><span style="color:black"></span><span style="color:black"> and NGO interventions. The
very first time I went to the Standing Committee on Copyrights was the first
time in anyone's memory when the chair of the session without prior warning
suddenly asked, "Are there any NGOs that would like to make an
intervention?" We were all caught so by surprise that we hardly knew what
to do so.<span style="mso-spacerun: yes">&nbsp; </span>As I recall, <a href="http://www.keionline.org/jamie">Jamie Love</a>,
representing <a href="http://www.keionline.org/">Knowledge Ecology International</a>, took the microphone and made an off-the-cuff
statement and then a few more people followed, and that was that.<span style="mso-spacerun: yes">&nbsp; </span>But that episode really started the
trend, so that from that point forward, routinely, time has been set aside for
all of the accredited NGOs to make interventions.<span style="mso-spacerun:
yes">&nbsp; </span>In fact, at the last SSCR (June 2011), several Member States
insisted that the Chair permit NGOs to speak early on concerning L&amp;Es for
the print-disabled because they really wanted to hear our reactions to
recommendations that had been tabled on this hot issue.<span style="mso-spacerun: yes">&nbsp; </span>Quite often, we are limited to no more
than three minutes, or sometimes even two minutes depending on how many NGOs are
there.<span style="mso-spacerun: yes">&nbsp; </span>So it became obvious that
not only was it good to have people from different parts of the world there so
that we could discuss issues with representatives from our own countries or
regions, but also that the more library organizations that were present, the
more “air time” we actually got to do interventions. So<span style="mso-spacerun: yes">&nbsp; </span>IFLA was joined first by <a href="http://www.eifl.net/home">eIFL</a> <span style="background:aqua"></span>and after that came the <a href="http://www.librarycopyrightalliance.org/">Library Copyright
Alliance</a> of the United States; now we also have the <a href="http://www.aib.it/aib/aib-e.htm3">Italian Library
Association,</a> and the <a href="http://www.cla.ca//AM/Template.cfm?Section=Home">Canadian Library Association</a>. So we now have five library
organizations that are accredited plus the International Council of Archives.
We coordinate our statement so that if we only have two minutes each, that’s 10
minutes total for the libraries. We discuss whether we all want to say more or
less the same thing because it's so important we want people to hear about it
five times; or whether there are multiple issues that need to be
addressed.<span style="mso-spacerun: yes">&nbsp;&nbsp; </span>If so, we each
take one so that we can maximize the benefit of having multiple delegations.
That's been a very, very big change at WIPO, this idea that the NGOs are not
only permitted to be present but are expected to be heard from. Time is set
aside and then WIPO takes our statements and publish them as part of the
record.<span style="mso-spacerun: yes">&nbsp; </span>It's been a very important
way of our doing education for the people who are from the member states.</span><br /></p><p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><br /></p>

<p class="MsoNormal"><span style="color:black"><b>Minow:</b> Are there NGOs then
that also appeared that take positions opposing yours? </span></p>

<p class="MsoNormal"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal"><span style="color:black"><b>Tabb:</b> Oh, of course. One of the
most obvious ones, particularly in the context of the treaty for the visually
impaired, is the <a href="http://www.internationalpublishers.org/">International Publishers Association</a> (IPA) which has said in
its interventions said that it will never support a treaty. That was two or
three sessions ago I think. And the other major one opposing a treaty is the
<a href="http://www.ifrro.org/">International Federation of Reproduction Rights Organizations</a> (IFRRO). Both of
them have said that they will oppose our treaty in principle, that our issues
should be dealt with at the national level, so they are opposed to a treaty in
principle. In fact, we had been hoping for some more progressive collaboration
because we've had fairly close relationships between IFLA and the IPA over the
years.<span style="mso-spacerun: yes">&nbsp; </span>I've been a member of the
IFLA IPA Steering Committee for the last eight years and we've issued joint
statements on topics of mutual interest like retraction of articles and
data-driven policies.<span style="mso-spacerun: yes">&nbsp; </span>IFLA hoped
to get into a constructive dialogue about the library L&amp;E instrument itself
, focused on the substance of various articles<span style="mso-spacerun:
yes">&nbsp; </span>- maybe some were ok, others weren't, and yet others needed
to be tweaked; but instead both IPA and IFRRO just basically said that in
principle they opposed an international instrument so there was nothing
substantive to discuss. That's discouraging.</span></p>

<p class="MsoNormal"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span style="color:black"><b>Minow: </b>That is discouraging. And so do you expect the same,
more of the same, when it comes to the library exceptions and limitations?</span></p>

<p class="MsoNormal"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span style="color:black"><b>Tabb:</b> Absolutely, I mean there's no question about it.
As a courtesy, it was extremely important to us to share our drafts because we
want to be transparent. We were hoping we could agree on that some portions
that should be relatively uncontroversial, like preservation.<span style="mso-spacerun: yes">&nbsp; </span>Perhaps they worry about the “slippery
slope,” that if they start talking about an instrument at all there'll just be
no stopping it.<span style="mso-spacerun: yes">&nbsp; </span>I really don't
know the reasons, but it has been disappointing.&nbsp; Those are the two NGOs
that probably have the most interaction with libraries generally – we are major
customers! -<span style="mso-spacerun: yes">&nbsp; </span>but certainly the
people representing the motion picture industry, the recording industry and
others are not likely to be very supportive either. We just haven't engaged
with them as much as we have IPA and IFRO.</span></p>

<p class="MsoNormal"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span style="color:black"><b>Minow:</b> You don't expect the motion picture industry et
cetera to show up... or do you?</span></p>

<p class="MsoNormal"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span style="color:black"><b>Tabb:</b> Yes, they're often there. </span></p>

<p class="MsoNormal"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span style="color:black"><b>Minow:</b> Okay, all right.</span></p>

<p class="MsoNormal"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span style="color:black"><b>Tabb:</b> I can't remember all the different NGOs now
engaged at WIPO.<span style="mso-spacerun: yes">&nbsp; </span>There are people
who represent actors – especially when rights in audio-visual performances are
being discussed -<span style="mso-spacerun: yes">&nbsp; </span>and people who
represent music producers, broadcasters... really all these international
associations for the various rights holders as well as the NGOs like Knowledge
Ecology, Public Knowledge, the Electronic Frontier Foundation that represent
the public interest.</span></p>

<p class="MsoNormal"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span style="color:black"><b>Minow:</b> Okay. Are you hopeful, then, about a treaty going
forward?</span></p>

<p class="MsoNormal"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal" style=""><span style="color:black"><b>Tabb:</b> Yes, I think we have to be. Who knows what will
happen or when.<span style="mso-spacerun: yes">&nbsp; </span>We have to be<span style="mso-spacerun: yes">&nbsp; </span>patient and willing to persevere.<span style="mso-spacerun: yes">&nbsp; </span>As I mentioned the treaty for the
visually impaired looks from certain points of view like it should've been a
“slam dunk,”<span style="mso-spacerun: yes">&nbsp; </span>but it's actually
been on the table for several years now. At the session that we'll be going to
next week, actually, starting on the 15th of June, three full days are to be
devoted to discussions just about the treaty for the visually impaired.<span style="mso-spacerun: yes">&nbsp;&nbsp; </span>It is gaining some traction.<span style="mso-spacerun: yes">&nbsp; </span>Libraries are the second in line by
level of "maturity”.<span style="mso-spacerun: yes">&nbsp; </span>I'm
putting that in quotation marks because that's the term that's often used at
WIPO to determine how to proceed on certain issues. The SCCR agreed at its last
meeting to a multi-year work plan, with three days devoted to the treaty for
the print-disabled now in June, and then for libraries/archives to have three
days at the SCCR in November, and then education will probably be taken up at
the session of SCCR in May or June of 2012. At least that's the current plan
that's a matter of record, part of the conclusions of the last SCCR. What we
don't know yet is what will actually happen either at the three days next week
relating to the treaty for the blind or what will happen in November. We're
very interested to get there next week and see how WIPO or the member states
deal with these three-day windows that have been set aside for focus on a very
particular issues and instruments. One of the important directions from the
member states as stated in the conclusions is that these three-day sessions
should be “text-based.”<span style="mso-spacerun: yes">&nbsp; </span>The
working assumption is that there has to be some text, so that people aren’t
just talking in general about an issue but are focused on the current draft
treaty for the visually impaired; and then the same thing should be true in
November on the treaty for libraries.<span style="mso-spacerun:
yes">&nbsp;&nbsp; </span>The library text would include the document that's
been produced by the African group, which is at this point the only one
formally on the table at WIPO that talks about libraries. Our draft treaty has
not yet been introduced by a member state.</span><br /></p><p class="MsoNormal" style=""><br /></p><p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><b>Minow:</b> Tell me about the
African draft treaty.</p><span style="color:black"></span><p class="MsoNormal"></p>

<p class="MsoNormal"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal"><span style="color:black"><b>Tabb:</b> The African Group is very
focused on what they call the holistic approach. They have one instrument that
would cover the visually impaired and other disabled
individuals,&nbsp;libraries and archives, and education.<span style="mso-spacerun: yes">&nbsp; </span>Probably the biggest controversy at the
last SCCR session was whether the African group would accede to the idea that
there should be separate, sequential discussions over a two-year period
breaking the elements of their proposal into various pieces. I think it's clear
that one reason that the African group has been so adamant about the holistic
approach is that they really believe that they will have more leverage if all
of them are taken together. Particularly, they are concerned about education,
which may drive the African group more than any of the other issues.<span style="mso-spacerun: yes">&nbsp; </span>The dispute about whether to sequence
or bundle these issues literally brought us up to the midnight hour at the last
SCCR.<span style="mso-spacerun: yes">&nbsp; </span>Finally there was agreement
that these issues – visually impaired, libraries/archives, and education –
would be taken up in sequence by level of maturity.</span></p>

<p class="MsoNormal"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal" style=""><span style="color:black"><b>Minow:</b> I see, okay. </span><br /></p><p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><br /></p>

<p class="MsoNormal"><span style="color:black"><b>Tabb:</b><span style="mso-spacerun:
yes"> </span>We have worked with the African group; we've explained
our library concerns, and<span style="mso-spacerun: yes">&nbsp; </span>attended
workshops with the Africa group in Geneva to talk about their proposals. They
made quite a number of changes in their document relating to libraries based on
the discussions we had – more detail, more clarity about real-life issues that
need to be addressed through the treaty for libraries particularly.</span></p>

<p class="MsoNormal"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal" style=""><span style="color:black"><b>Minow:</b> Tell me about the IFLA draft treaty.</span><br /></p><p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><br /></p>

<p class="MsoNormal"><span style="color:black"><b>Tabb:<span style="mso-spacerun:
yes"> </span></b>It was drafted by IFLA and eIFL together. I was directed by
the governing board of IFLA at the World Congress in Milan to appoint a
drafting committee, which I did. The committee has six or seven people, and is
chaired&nbsp; by Teresa Hackett who is a member of IFLA’s CLM but of course is
also the head of the IP program for eIFL.<span style="mso-spacerun: yes">&nbsp;
</span>The draft is considered to be jointly produced by IFLA and eIFL.<span style="mso-spacerun: yes">&nbsp; </span>The American NGO, the LCA, Library
Copyright Alliance, has commented and offered suggestions, and we've taken some
of them on board; but it has not formally signed on.<span style="mso-spacerun:
yes">&nbsp;&nbsp; </span>I am very conscious when I'm working on these issues
about functioning at the international level, not as an American
librarian.&nbsp; Because there are national differences, I think it's possible
that the LCA – or other national library associations - would not endorse the
entire draft that we have because they're obliged to looking at issues
primarily through a national lens whereas IFLA and eIFL represent an
international constituency, and in eIFL’s case one that especially focuses on
developing countries. </span></p>

<p class="MsoNormal"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal" style=""><span style="color:black"><b>Minow:</b> Interesting. I just re-read it and it's hard for me
to imagine what that would be because it seems like it covered everything the
way we would want it but ...</span><br /></p><p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><br /></p>

<p class="MsoNormal" style=""><span style="color:black"><b>Tabb:</b> Yes. Well the debate may come to focus not so much
on the substance but the modality. I think what we're seeing now, what's happening
with the treaty for the blind, is that<span style="mso-spacerun: yes">&nbsp;
</span>there are various approaches. One would be the full treaty approach, and
others more “soft law” approaches, a joint recommendation perhaps; there are
different ways of coming at this.<span style="mso-spacerun: yes">&nbsp;
</span>But IFLA – and the World Blind Union – remains convinced that a treaty
will ultimately be the most efficacious way of achieving our mission.</span><br /></p><p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><br /></p>

<p class="MsoNormal" style=""><span style="color:black"><b>Minow:</b> Oh, I see.</span><br /></p><p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><br /></p>

<p class="MsoNormal" style=""><span style="color:black"><b>Tabb:</b><span style="mso-spacerun: yes">&nbsp; </span>Some
parties think the solution is always a “stakeholders' platform,” like an
agreement involving “trusted intermediaries” that was one venue used for a time
as an approach to resolving issues for the visually impaired.<span style="mso-spacerun: yes">&nbsp; </span>I think the best summary of where we
are may be that people are more likely to agree, in many respects, about what
they would like the outcome to be than about the method of getting there.</span><br /></p><p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><br /></p>

<p class="MsoNormal"><span style="color:black"><b>Minow: </b>Yes.</span></p>

<p class="MsoNormal"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal"><span style="color:black"><b>Tabb:</b><span style="mso-spacerun:
yes"> </span>For lots of people it’s easier not to think about a
treaty.<span style="mso-spacerun: yes">&nbsp; </span>From IFLA’s point of view,
we are more interested in results for libraries than in the process.<span style="mso-spacerun: yes">&nbsp; </span>We are focused on the needs of libraries
in about 185 countries, many of which, we know from <a href="http://www.wipo.int/meetings/en/doc_details.jsp?doc_id=109192">Kenny Crews’ WIPO study</a>,
have no provision whatsoever in their national law for libraries, or such a
general exception that it is practically useless. The chance of achieving our
objectives either through national approaches or through soft law is less
likely to be fully productive for all the countries that are members of IFLA
than a treaty would be.<span style="mso-spacerun: yes">&nbsp;&nbsp; </span>Of
course I could see that from the LCA point of view, a different approach might
be more appealing - because really, American libraries have it better than any
in the whole world, with our Section 107 and 108 provisions. We are really the
envy of our colleagues in every other country.<span style="mso-spacerun:
yes">&nbsp; </span>While there are changes that need to be made in our
copyright law - none of us are totally satisfied, as we saw in the result of
the 108 study group – American librarians might feel that they can get farther
by some tweaks in US law, and that an international treaty is not as important
to them as it would be to some of these countries, particularly in Africa or
Latin America, that have no provisions for libraries at all.<span style="mso-spacerun: yes">&nbsp; </span></span></p>

<p class="MsoNormal"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal" style=""><span style="color:black"><b>Minow: </b>I see. And what about the US delegation? What is
their position? Support for the IFLA/eIFL draft treaty?</span></p><p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><br /></p>

<p class="MsoNormal" style=""><span style="color:black"><b>Tabb:</b><span style="mso-spacerun: yes"> </span>Interestingly, I convened a panel at the <a href="http://www.arl.org/">Association of Research Libraries</a> (ARL) meeting in Montreal in May
and I invited Justin Hughes, who is the current head of the US delegation to
SCCR, to come and speak along with Jonathan Band [LCA] and Paul Whitney, who is
a Canadian librarian and a member of the IFLA governing board. They talked not
so much about the library treaty per se but about the way things work in Geneva
in general, and so I don't really know exactly what the U.S. position is going
to be.&nbsp; Also, we have the recent appointment of Maria Pallante as the new
U.S. Register of Copyrights, and that could have an effect on the U.S.
position.<span style="mso-spacerun: yes">&nbsp; </span>The U.S. delegation
comprises many agencies and interests and individuals.<span style="mso-spacerun: yes">&nbsp; </span>Currently the U.S. Patent and Trademark
Office (USPTO), as part of the executive branch, is playing the lead role, with support
from the Copyright Office, Department of State and the Institute for Museum and
Library Services (IMLS). When I was working in the Copyright Office in the 1980s, our
delegations to WIPO were almost always led by someone from the State Department
or Copyright Office.<span style="mso-spacerun: yes">&nbsp; </span>So you know,
these things change over time. It's a little bit hard to know what's going to
happen next because we do have some new players.</span><br /></p><p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><br /></p>

<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span style="color:black"><b>Minow:</b> Right, right.</span></p>

<p class="MsoNormal"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span style="color:black"><b>Tabb:</b><span style="mso-spacerun: yes"> </span>So I don't really know. I'll be curious to see how this plays out. </span></p>

<p class="MsoNormal"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal" style=""><span style="color:black"><b>Minow: </b>When you talk about nontreaty options, soft law, what
do you mean?</span><br /></p><p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><br /></p>

<p class="MsoNormal"><span style="color:black"><b>Tabb:</b> Well, there could
conceivably be a consensus of the signatories to the Berne Convention, that
aspects of certain substantive provisions of our treaty are to be assumed under
Berne.&nbsp; I think looking at the comments from both the US and the EU on the
treaty for the visually impaired gives some examples of how non-treaty
approaches might play out.<span style="mso-spacerun: yes">&nbsp; </span>Some
argue that it might be wise to use these “soft” approaches to get half a loaf
now, and work on the treaty later on.&nbsp; Another alternative is to say we
want it all, and we're willing to wait x years. Some argue it would be better
to have something now than nothing, and others feel that if you start
compromising, you'll only get something and never get the whole thing, which is
I think the point of view of the World Blind Union. </span></p>

<p class="MsoNormal"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal" style=""><span style="color:black"><b>Minow:</b> I'm not familiar with the consensus... is that
something in writing that everyone agrees to but it doesn't come back to be
enacted into national law or what?</span><br /></p><p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><br /></p>

<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span style="color:black"><b>Tabb:</b> Let me send you as an example a copy of the
document from the US delegation relating to the visually impaired.</span></p>

<p class="MsoNormal"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal" style=""><span style="color:black"><b>Minow:</b> Thank you.</span><span style="color: black;"> How would you summarize where we are now?</span></p><p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span style="color:black"><br /></span>

</p><p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span style="color:black"><b>Tabb: </b>It's a very exciting development to have come as
far as we have,&nbsp; from 2003 and not really being present, not permitted to
speak at WIPO&nbsp; - to being where we are now where people expect us to be
there, in force, and to be making substantive<span style="mso-spacerun:
yes">&nbsp; </span>interventions.<span style="mso-spacerun: yes">&nbsp;
</span>People are expecting our treaty because it really follows on directly
from those studies that the WIPO secretariat itself commissioned. The first one
focused on the visually impaired and then the 2006 Crews study focused on
libraries.<span style="mso-spacerun: yes">&nbsp; </span>We consider that we're
really just building on the WIPO-commissioned studies like the one done by
Kenny Crews.<span style="mso-spacerun: yes">&nbsp; </span>The results of the
data revealed in that study, like that fact that so few countries have
provisions for libraries, made preparation of an actionable instrument
inevitable.</span></p>

<p class="MsoNormal"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal" style=""><span style="color:black"><b>Minow:</b> I thought the orphan works provision was particularly
elegant.</span><br /></p><p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><br /></p>

<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span style="color:black"><b>Tabb:</b> Well thank you for that, we're interested to see
what will happen because orphan works present one of our biggest frustrations
as librarians.<span style="mso-spacerun: yes">&nbsp; </span>At the very time
when technology makes it possible to share information easily and widely, the
incessant (and unconscionable) extension of copyright term combined with the
elimination of registration and renewal formalities has effectively prevented
the sharing of millions of publications that have little if any commercial
value.<span style="mso-spacerun: yes">&nbsp; </span>We’re watching very closely
what’s going on at the EU and at what decisions might be taken in the US under
the new Register of Copyrights about how to proceed, if at all, on new orphan
works legislation.<span style="mso-spacerun: yes">&nbsp; </span>A lot of people
are afraid that opening things up could be more dangerous than living with what
we have now through our Section 107 and 108.&nbsp; But clearly the orphan works
issue has got to be resolved somehow, because it's really locking up so much
information that's giving no value to anyone, including the theoretical owner. </span></p>

<p class="MsoNormal"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal" style=""><span style="color: black;"><b>Minow:</b> The orphan works language was simple and well
written. Why haven’t we just used similar language in U.S. legislation?</span></p><p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span style="color:black"><br /></span></p>

<p class="MsoNormal"><span style="color:black"><b>Tabb:</b> Well, in the draft
treaty, what we tried to do in several of the provisions was to focus on what
the result should be, not on the modality.&nbsp; And we took a similar approach
in articles where moral rights issues might arise. We don’t really think about
moral rights in the U.S.&nbsp; But there are countries where that's a very
important issue. So we focused not on prescribing exactly how things should be
done or how they should be embodied in the national law if the treaty were to
be adopted and ratified, but on what the outcome ought to be for libraries and
our users. We realize that there can't be a one-size-fits-all approach to how
these exceptions or limitations would be implemented. </span></p>

<p class="MsoNormal"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal" style=""><span style="color:black"><b>Minow:</b> That's right, I wasn't thinking about the moral
rights for orphan works, of course that would be an issue elsewhere.</span><br /></p><p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><br /></p>

<p class="MsoNormal"><span style="color:black"><b>Tabb:</b> Well it came up very
explicitly when I launched the treaty at the IFLA President's meeting at the
Hague in April.<span style="mso-spacerun: yes">&nbsp;&nbsp; </span>Take the
idea of retraction of articles from databases. This is a very controversial
issue.<span style="mso-spacerun: yes">&nbsp; </span>Most librarians, myself
included, feel strongly that the record is the record and shouldn’t be
expunged.<span style="mso-spacerun: yes">&nbsp; </span>Records can be annotated
to explain why retraction might be sought; but it’s part of the historic,
scholarly record and it doesn't disappear.<span style="mso-spacerun:
yes">&nbsp;&nbsp; </span>However, there are others who feel, particularly if
they're from a country where moral rights are prized, that if the owner or
author wishes to withdraw his or her work, it simply must be done, period.<span style="mso-spacerun: yes">&nbsp; </span>There are various, strong differences
of opinion on some issues like this; so we knew from the beginning that we had
to leave certain matters more open to national interpretation.</span></p>

<p class="MsoNormal"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal" style=""><span style="color:black"><b>Minow: </b>So that provision says, I'm not looking at it now, it
says "but subject to national law" or something like that?</span><br /></p><p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><br /></p>

<p class="MsoNormal"><span style="color:black"><b>Tabb: </b>Right. And that's the
reason for that. </span></p>

<p class="MsoNormal"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal" style=""><span style="color:black"><b>Minow:</b> I see.</span><br /></p><p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><br /></p>

<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span style="color:black"><b>Tabb:</b> That's the pragmatic approach, which you have to
have if you're ever going to get this treated adopted.<span style="mso-spacerun: yes">&nbsp; </span>I wasn't at all surprised when I got
asked that question about moral rights from one of the students who had been
invited to come to the IFLA president's meeting. He was just appalled at the
idea that the author couldn't withdraw or destroy something that he or she had
created. To a librarian, thinking about the national record, that's an
anathema. </span></p>

<p class="MsoNormal"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal" style=""><span style="color:black"><b>Minow:</b> It seems like when things are withdrawn, it's not
usually the author... but it could be.</span><br /></p><p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><br /></p>

<p class="MsoNormal"><span style="color:black"><b>Tabb:</b> Usually it is the
publisher, and more often in the area of science where things were really wrong
and someone could be killed because there was a wrong formula or
prescription...</span></p>

<p class="MsoNormal"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal" style=""><span style="color:black"><b>Minow:</b> Right ...</span><br /></p><p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><br /></p>

<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span style="color:black"><b>Tabb:</b> Something of that sort. So there really are good
reasons why retraction could be sought.<span style="mso-spacerun: yes">&nbsp;
</span>About six years ago, the IFLA/IPA steering committee did issue a joint
statement on retraction.<span style="mso-spacerun: yes">&nbsp; </span>As I
recall, the agreement there with the international publishers was that yes, the
publisher should be able to withdraw an article, but taking notice of the
importance of legal deposit, we also agreed that the item should remain as part
of the legal deposit, properly annotated to indicate that the publisher has
withdrawn x publication on x date for the following reason.<span style="mso-spacerun: yes">&nbsp;&nbsp; </span>That's the approach librarians
would prefer because we think that really is necessary for the historical
record. </span></p>

<p class="MsoNormal"><span style="color: black;"><br /></span></p><p class="MsoNormal"><span style="color:black"><b>Minow: </b>Oh, absolutely.</span></p>

<p class="MsoNormal"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal"><span style="color:black"><b>Tabb: </b>There are a lot of
people, including some colleagues from other countries, who see that in a
different way;<span style="mso-spacerun: yes">&nbsp; </span>so our own drafting
compromise was to say that this situation would be handled according to
national law, knowing that means that it would be treated differently in different
countries.</span></p>

<p class="MsoNormal"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span style="color:black"><b>Minow:</b> Well, thank you so much for your time, I know it's a
busy time for you. </span></p>

<p class="MsoNormal"><br /></p><p class="MsoNormal"><span style="color:black"><b>Tabb:</b> Oh, yes, I've
enjoyed it so much.</span><span style="color:black">&nbsp;</span>

</p><div style="border:none;border-bottom:solid windowtext .75pt;padding:0in 0in 1.0pt 0in">

<p class="MsoNormal" style="border:none;mso-border-bottom-alt:solid windowtext .75pt;
padding:0in;mso-padding-alt:0in 0in 1.0pt 0in"><span style="color:black">&nbsp;</span></p>

</div>

<p class="MsoNormal"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal" style="mso-line-height-alt:5.0pt"><span style="color:black"><i>Winston
Tabb</i> is Chair, <a href="http://www.ifla.org/clm">Committee on Copyright and other Legal Matters</a> (CLM),
International Federation of Library Associations and <a href="http://webapps.jhu.edu/jhuniverse/information_about_hopkins/about_jhu/principal_administrative_officers_and_deans/winston_tabb/index.cfm">Sheridan Dean of
University Libraries and Museums and Vice Provost for the Arts, Johns Hopkins
University</a>.</span></p>

<p class="MsoNormal" style="mso-line-height-alt:5.0pt"><span style="color:black">&nbsp;</span></p>

<p class="MsoNormal" style="mso-line-height-alt:5.0pt"><span style="color:black"><i>Mary
Minow</i> is Executive Editor, Stanford Copyright &amp; Fair Use website. </span></p>



     ]]>
        
    </content>
</entry>

<entry>
    <title>Copyright Case Summaries: Interview with Cicely Wilson and Courtney Minick of Justia</title>
    <link rel="alternate" type="text/html" href="http://fairuse.stanford.edu/blog/2011/04/copyright-case-summaries-inter.html" />
    <id>tag:www.fairlyusedblog.com,2011://1.100</id>

    <published>2011-04-23T00:39:39Z</published>
    <updated>2011-04-28T05:30:59Z</updated>

    <summary>Above: Cicely Wilson and Courtney Minick of Justia, holding Sheba and Belle, respectivelyCopyright Case Summaries: Interview with Cicely Wilson and Courtney Minick of JustiaThe Stanford Copyright and Fair Use site is pleased to announce a new feature to aid readers...</summary>
    <author>
        <name>Mary Minow</name>
        <uri>http://blog.librarylaw.com/</uri>
    </author>
    
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    <category term="copyright" label="copyright" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="fairuse" label="fair use" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="justia" label="justia" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.fairlyusedblog.com/">
        <![CDATA[<span class="mt-enclosure mt-enclosure-image"><img alt="cicely-courtney.jpg" src="http://www.fairlyusedblog.com/cicely-courtney.jpg" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" height="335" width="500" /></span>Above: Cicely Wilson and Courtney Minick of Justia, holding Sheba and Belle, respectively<br /><div align="center"><div align="left"><font face="-editor-proxy"><br /></font></div><font style="font-size: 1.25em;"><b><font style="font-size: 1.25em;">Copyright Case Summaries: Interview with Cicely Wilson and Courtney Minick of Justia</font></b></font><br /></div><br /><i>The Stanford Copyright and Fair Use site is pleased to announce a new feature to aid readers in keeping up and understanding copyright cases in a timely manner: copyright case summaries. To explain this new feature, Mary Minow talks to two editors of Justia, Cicely Wilson and Courtney Minick.</i> <br /><br /><b>Mary Minow:</b> Tell us about the copyright case summaries that the Stanford Fair Use site will be offering to readers.<br /><br /><b>Cicely Wilson and Courtney Minick:</b> We will send a feed of summaries for cases that involve copyright issues to the Fair Use site. The summaries themselves are short blurbs that describe the key issues and holdings of a particular case. They are designed to give the reader a sense of whether they need or want to read the case in its entirety. The summaries link to the full text of the opinion on the Justia site, and they are also displayed on the same page as the opinion. This way someone browsing or searching for caselaw on our site gets the benefit of the overview as well.<br /><br />As the number of opinion summaries grow in this feed, it serves as a survey of sorts for copyright and fair use law -- something that we hope will provide a lot of value as a free tool.<br /><br /><b>Minow:</b> Who is writing the summaries?<br /><br /><b>Wilson and Minick:</b> We have hired a team of experienced writers, all of whom are licensed attorneys, to write the summaries. They summarize the cases in a concise manner and tag the cases with relevant areas of law.<br /><br /><b>Minow:</b> You're saying that a private company has hired a team of attorneys to write case law summaries, and then make those summaries available to the public for free? Why would you do that?<br /><br /><b>Wilson and Minick:</b> Great question, Mary. At Justia we believe we all "do well by doing good."&nbsp; To that end, one part of our core mission is to advance the availability of free legal resources on the web. The newsletter summaries fit in as a part of this by expanding access to the law and add value to the free primary law on our portal.<br /><br /><b>Minow: </b>Any last words?<br /><br /><b>Wilson and Minick:</b> Thanks Mary! We are very excited about this new product, and hope it will provide a lot value to lawyers, law librarians, and others who need to stay on top of legal developments. We are also looking forward to the addition of editorial information to our database of free legal opinions, as a way to help organize and contextualize the material.<br /><br /><b>Minow:</b> By the way, who are the pugs?<br /><br /><b>Wilson and Minick:</b> The pugs are our co-workers, Sheba and Belle!&nbsp; You can see more of there Justia office adventures on their <a href="http://www.facebook.com/Hug.Pugs#%21/Hug.Pugs?sk=wall&amp;filter=2">Facebook page</a>.<br />
     ]]>
        
    </content>
</entry>

<entry>
    <title>Interview: Rich Stim, Permissions and Fair Use</title>
    <link rel="alternate" type="text/html" href="http://fairuse.stanford.edu/blog/2011/03/rich-stim-is-corporate-counsel.html" />
    <id>tag:www.fairlyusedblog.com,2011://1.99</id>

    <published>2011-03-24T23:21:29Z</published>
    <updated>2011-03-24T23:42:57Z</updated>

    <summary><![CDATA[Rich Stim is corporate counsel for Nolo. Rich is the author of several Nolo intellectual property books including: Patent, Copyright &amp; Trademark: An Intellectual Property Desk ReferencePatent Pending in 24 Hours Music Law: How to Run Your Band's Business Rich...]]></summary>
    <author>
        <name>Mary Minow</name>
        <uri>http://blog.librarylaw.com/</uri>
    </author>
    
        <category term="Quick interviews" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Site News" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="copyright" label="copyright" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="fairuse" label="fair use" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="nolo" label="Nolo" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="permissions" label="permissions" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.fairlyusedblog.com/">
        <![CDATA[<p><img src="http://fairuse.stanford.edu/images/RS1.jpg" alt="Rich Stim" align="left" height="170" hspace="3" vspace="3" width="150" />Rich Stim is corporate counsel for Nolo.  Rich is the author of several Nolo intellectual property books including:</p>

 <blockquote>
    <a href="http://www.nolo.com/product.cfm/ObjectID/0609DF22-F581-4BB3-9EBE49E416C6E9FA" target="_blank">Patent, Copyright &amp; Trademark: An Intellectual Property Desk Reference</a><br /><a href="http://www.nolo.com/product.cfm/ObjectID/1F0E4794-D236-43C3-908BF76B43DC13C2/310/" target="_blank">Patent Pending in 24 Hours</a>
<br />   <a href="http://www.nolo.com/product.cfm/ObjectID/8C36B5C2-9260-45A3-8B8FF5ABDC4CA740/310/" target="_blank"> Music Law: How to Run Your Band's Business</a>
 </blockquote>

<p>Rich also writes two blogs for Nolo, <a href="http://blogs.nolo.com/legalcosts/" target="_blank">What Price Justice</a> and <a href="http://fairusealpha.justia.com/mt-static/html/editor-content.html?cs=utf-8" target="_blank">Nolo's Patent, Copyright &amp; Trademark Blog</a>, and provides information about trade secrets and nondisclosure agreements at <a href="http://www.ndasforfree.com/" target="_blank">NDAs For Free</a>. He lives in San Francisco and has been without cable TV since 2006.</p>

<p>Nolo has published a new edition of the volume <a href="http://www.nolo.com/lawstore/products/product.cfm/ObjectID/4835B5AF-0C35-4540-A4FE20738596443E/catid/2EB060FE-5A4B-4D81-883B0E540CC4CB1E" target="_blank">Getting Permission</a>, a comprehensive, up-to-the-minute book on securing the use of copyrighted images, text, music and more. Moreover, Nolo has granted permission to the Stanford Copyright &amp; Fair Use to provide free and open access to salient chapters dealing with copyright, fair use, and web-based content.  Fair Use's Executive Editor Mary Minow has a brief interview with Rich Stim about the new edition of the book, and what's new in fair use law.</p><p>

</p><p><b>Mary Minow:</b> thanks so much for sharing the rich Nolo content with the Fair Use site.  What have been some of the recent changes worth pointing out?</p>

<p><b>Rich Stim:</b> The mix of recent fair use case hasn't been too surprising. For example, we learned it's not a fair use to create a <a href="http://dockets.justia.com/docket/new-york/nysdce/1:2007cv09667/315790/" target="_blank">Harry Potter lexicon</a> or to <a href="http://scholar.google.com/scholar_case?case=1101790394228662801&amp;hl=en&amp;as_sdt=2&amp;as_vis=1&amp;oi=scholarr" target="_blank">create a postage stamp from a sculpture</a>. And it's not a fair use/parody to create <a href="http://scholar.google.com/scholar_case?case=14430115072998341439&amp;hl=en&amp;as_sdt=2&amp;as_vis=1&amp;oi=scholarr" target="_blank">a sequel to Catcher in the Rye</a>. It is a fair use, however, to <a href="http://fairuse.stanford.edu/commentary_and_analysis/2009_09_tillery_warren_v_spurlock.html" target="_blank">reproduce movie monster magazine covers</a> in a book about the cover artist. No surprises with any of these decisions.</p>

<p>The most important fair use ruling may have been <i>Lenz v. Universal Music Corp.</i> In that case, Universal Music issued a takedown notice for a video of a child dancing to the song, 'Let's Go Crazy,' by Prince. The owner of the video claimed that since Universal didn't consider the issue of fair use, Universal could have not had a "good faith belief" they were entitled to a takedown. Faced with this novel issue, a district court agreed that the failure to consider fair use when sending a DMCA notice could give rise to a claim of failing to act in good faith. That may have an effect on the trend towards automated mass DMCA notices. Let's hope so.</p>

<p><b>Minow:</b> What's your assessment of these changes with regards to the big picture of copyright law, especially as it affects the higher education community?</p>

<p><b>Stim:</b> I'm not sure much has happened recently will affect the higher education community. It's all been business as usual although we'll see what happens as a result of this recent ruling regarding the Google book archive.  That may have a profound effect on the ability to access orphaned works.</p>

<p>There was a recent case that may, by analogy, effect the ability to claim fair use when copying electronic texts. In <i>Capitol Records Inc. v. Alaujan</i>, a defendant in a music file sharing case was prohibited from claiming fair use because he had failed to provide evidence that his copying of music files involved any transformative use. The court held that "In the end, fair use is not a referendum on fairness in the abstract ..." In other words, making a copy of a digital file and using that file for the purpose for which it was intended (in the case of purloined MP3s, that means copying it to listen to) can not be a fair use. To some people that may seem to chip away at the underpinnings of the Betamax case in which time-shifting of television shows for the purpose of later viewing was permitted as a fair use.</p>]]>
        
    </content>
</entry>

<entry>
    <title>Correction: Google Book Settlement case court docs here</title>
    <link rel="alternate" type="text/html" href="http://fairuse.stanford.edu/blog/2011/03/correction-google-book-settlem.html" />
    <id>tag:www.fairlyusedblog.com,2011://1.98</id>

    <published>2011-03-24T20:00:55Z</published>
    <updated>2011-03-24T20:02:46Z</updated>

    <summary><![CDATA[Here is the corrected link for over five years of court documents, organized by date. Courtesy of Stanford Fair Use and Justia: &nbsp;http://fairuse.stanford.edu/blog/2011/03/the-authors-guild-et-al-v-goog.html...]]></summary>
    <author>
        <name>Mary Minow</name>
        <uri>http://blog.librarylaw.com/</uri>
    </author>
    
        <category term="Site News" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="copyright" label="copyright" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="googlebooksearch" label="google book search" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="justia" label="justia" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.fairlyusedblog.com/">
        <![CDATA[Here is the corrected link for over five years of court documents, organized by date. Courtesy of Stanford Fair Use and Justia: &nbsp;<a href="http://fairuse.stanford.edu/blog/2011/03/the-authors-guild-et-al-v-goog.html">http://fairuse.stanford.edu/blog/2011/03/the-authors-guild-et-al-v-goog.html</a>]]>
        
    </content>
</entry>

<entry>
    <title>The Authors Guild et al v. Google Inc. :: Justia Dockets &amp; Filings</title>
    <link rel="alternate" type="text/html" href="http://fairuse.stanford.edu/blog/2011/03/the-authors-guild-et-al-v-goog.html" />
    <id>tag:www.fairlyusedblog.com,2011://1.96</id>

    <published>2011-03-23T00:23:58Z</published>
    <updated>2011-03-24T20:00:43Z</updated>

    <summary>Court filings courtesy of Stanford Fair Use / Justia athttp://fairuse.stanford.edu/blog/2011/03/the-authors-guild-et-al-v-goog.html...</summary>
    <author>
        <name>Mary Minow</name>
        <uri>http://blog.librarylaw.com/</uri>
    </author>
    
        <category term="Site News" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="fairuse" label="fair use" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="gbs" label="gbs" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="googlebooksearch" label="google book search" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.fairlyusedblog.com/">
        <![CDATA[<div>Court filings courtesy of Stanford Fair Use / Justia at</div><a href="http://fairuse.stanford.edu/blog/2011/03/the-authors-guild-et-al-v-goog.html">http://fairuse.stanford.edu/blog/2011/03/the-authors-guild-et-al-v-goog.html</a>]]>
        
    </content>
</entry>

<entry>
    <title>Ruminations on monographs, rights and freeing the public domain</title>
    <link rel="alternate" type="text/html" href="http://fairuse.stanford.edu/blog/2011/02/ruminations-on-monographs-righ-1.html" />
    <id>tag:www.fairlyusedblog.com,2011://1.94</id>

    <published>2011-02-17T18:17:01Z</published>
    <updated>2011-02-17T18:23:45Z</updated>

    <summary><![CDATA[The Council on Library and Information Resources (CLIR) and the Digital Library Federation (DLF) have launched a new publication series, with the inviting name of "Ruminations."&nbsp; It will feature short research papers and essays with fresh perspectives in the digital...]]></summary>
    <author>
        <name>Mary Minow</name>
        <uri>http://blog.librarylaw.com/</uri>
    </author>
    
    <category term="publicdomain" label="public domain" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.fairlyusedblog.com/">
        <![CDATA[The Council on Library and Information Resources (CLIR) and the Digital Library Federation (DLF) have launched a new publication series, with the inviting name of "Ruminations."&nbsp; It will feature short research papers and essays with fresh perspectives in the digital environment for scholarship and teaching.<br /><br />Kicking off the launch is a new rumination from <a href="http://fairuse.stanford.edu/blog/2010/09/rising-into-the-public-domain.html">John P. Wilkin</a>, who we interviewed not so long ago, about his work helping old titles "rise" into the public domain.<br /><br />John writes us:<br /><br />"I'd like to point readers to a piece I recently wrote about publication patterns and copyright status, which was just published on the CLIR website at <a href="http://www.clir.org/pubs/ruminations/01wilkin/wilkin.html">http://www.clir.org/pubs/ruminations/01wilkin/wilkin.html</a>.&nbsp; Based on the analysis of over 5 million books in HathiTrust and several years of copyright status analysis for US 1923-1963 works, I point out some important patterns in the dates and origin of the works.&nbsp; The date distributions and work Michigan has led on copyright determination helps make clear how few of these books (proportionately) are likely to be in the public domain.&nbsp; On a more speculative note, the numbers lead me to conclude that 'orphans' may represent a startlingly high percentage of published books.&nbsp; If nothing else, I hope what I show here stimulates more debate and even more work to help refine our sense of what's in the public domain, what's in copyright, what's likely to be an orphan, and what the consequences of these numbers is."<br />]]>
        
    </content>
</entry>

<entry>
    <title>Ruminations on monographs, rights and freeing the public domain</title>
    <link rel="alternate" type="text/html" href="http://fairuse.stanford.edu/blog/2011/02/ruminations-on-monographs-righ.html" />
    <id>tag:www.fairlyusedblog.com,2011://1.93</id>

    <published>2011-02-17T18:17:01Z</published>
    <updated>2011-02-17T18:23:39Z</updated>

    <summary><![CDATA[The Council on Library and Information Resources (CLIR) and the Digital Library Federation (DLF) have launched a new publication series, with the inviting name of "Ruminations."&nbsp; It will feature short research papers and essays with fresh perspectives in the digital...]]></summary>
    <author>
        <name>Mary Minow</name>
        <uri>http://blog.librarylaw.com/</uri>
    </author>
    
    <category term="publicdomain" label="public domain" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.fairlyusedblog.com/">
        <![CDATA[The Council on Library and Information Resources (CLIR) and the Digital Library Federation (DLF) have launched a new publication series, with the inviting name of "Ruminations."&nbsp; It will feature short research papers and essays with fresh perspectives in the digital environment for scholarship and teaching.<br /><br />Kicking off the launch is a new rumination from <a href="http://fairuse.stanford.edu/blog/2010/09/rising-into-the-public-domain.html">John P. Wilkin</a>, who we interviewed not so long ago, about his work helping old titles "rise" into the public domain.<br /><br />John writes us:<br /><br />"I'd like to point readers to a piece I recently wrote about publication patterns and copyright status, which was just published on the CLIR website at <a href="http://www.clir.org/pubs/ruminations/01wilkin/wilkin.html">http://www.clir.org/pubs/ruminations/01wilkin/wilkin.html</a>.&nbsp; Based on the analysis of over 5 million books in HathiTrust and several years of copyright status analysis for US 1923-1963 works, I point out some important patterns in the dates and origin of the works.&nbsp; The date distributions and work Michigan has led on copyright determination helps make clear how few of these books (proportionately) are likely to be in the public domain.&nbsp; On a more speculative note, the numbers lead me to conclude that 'orphans' may represent a startlingly high percentage of published books.&nbsp; If nothing else, I hope what I show here stimulates more debate and even more work to help refine our sense of what's in the public domain, what's in copyright, what's likely to be an orphan, and what the consequences of these numbers is."<br />]]>
        
    </content>
</entry>

<entry>
    <title>A new twist -- securing authors&apos; rights when negotiating content licenses: an interview with Julia Blixrud, ARL and Ivy Anderson, University of California</title>
    <link rel="alternate" type="text/html" href="http://fairuse.stanford.edu/blog/2011/02/a-new-twist-securing-authors-r.html" />
    <id>tag:www.fairlyusedblog.com,2011://1.92</id>

    <published>2011-02-02T01:50:42Z</published>
    <updated>2011-02-03T22:23:23Z</updated>

    <summary>A New Twist -- Securing Authors&apos; Rights When Negotiating Content Licenses: an interview with Julia Blixrud, ARL and Ivy Anderson, University of CaliforniaConducted by Mary Minow and Eli Edwards, at ALA Midwinter Meeting in San Diego, CaliforniaMinow: Tell us about...</summary>
    <author>
        <name>Mary Minow</name>
        <uri>http://blog.librarylaw.com/</uri>
    </author>
    
        <category term="Commentary, Analysis, and Interviews" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="authorsrights" label="authors&apos; rights" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="copyright" label="copyright" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="institutionalpolicies" label="institutional policies" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="licensing" label="licensing" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="openaccess" label="open access" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.fairlyusedblog.com/">
        <![CDATA[<font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><span class="mt-enclosure mt-enclosure-image"><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><a href="http://www.fairlyusedblog.com/ivyanderson.JPG"><img alt="ivyanderson.JPG" src="http://www.fairlyusedblog.com/assets_c/2011/02/ivyanderson-thumb-100x109.jpg" width="100" height="109" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></a></font></font></span><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; ">A New Twist -- </font></font><a href="http://www.arl.org/news/pr/ARblog5jan11.shtml"><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; ">Securing Authors' Rights When Negotiating Content Licenses</font></font></a><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; ">: an interview with <b><i>Julia Blixrud</i></b>, <span class="caps">ARL </span>and <b><i>Ivy Anderson</i></b>, University of California</font></font></font></font></div></font></font><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; ">Conducted by <b>Mary Minow</b> and <b>Eli Edwards</b>, at <span class="caps">ALA</span> Midwinter Meeting in San Diego, California</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Minow:</b> Tell us about this major new step forward in the quest for open access.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Julia Blixrud:</b> A part of the background for this effort was an author rights addendum that came out of work several years ago by <span class="caps">SPARC, </span>the Scholarly Publishing and Academic Resources Coalition. We worked with lawyers to develop a legal instrument that modifies the publisher's agreement and allows authors to keep key rights to their articles. &nbsp;How could authors amend their agreements to allow them to use their own work in the way they wanted to?</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Ivy Anderson</b>: That was for an individual author, which is different from content licensing.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Blixrud: </b><i><b>At the time</b></i>, we thought the best way to be able to get our authors' content made freely accessible in libraries was for authors to say, "oh, wait I ought to retain some of my rights in order to be able to deposit and use my work in my environment."</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; ">You see, a lot of authors get an agreement from a publisher and they just automatically sign it without reading it. The agreement basically says, we the publisher have all rights to do whatever we want with this article in perpetuity.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Anderson:</b> Which means that if you're the <b>author</b>, and you want to reuse your own work, you may have to get permission.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><span class="mt-enclosure mt-enclosure-image"><a href="http://www.fairlyusedblog.com/JuliaBlixrud.jpg"><img alt="JuliaBlixrud.jpg" src="http://www.fairlyusedblog.com/JuliaBlixrud-thumb-100x133.jpg" width="100" height="133" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></a></span><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Blixrud:</b> Get permission, or pay some fees ... and no one at your institution can do anything with your stuff either, unless they bought it and paid fees and so on.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; ">The author addendum was the first attempt to get that content opened up and made available to the author herself as well as to the institution.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Minow:</b> How's that been working out? <span class="caps">SPARC </span>put out some wonderful training tools, videos, slide shows, etc., for campuses to use to educate faculty authors.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Blixrud:</b> Yes, but it's hard. It's a one-off. It's an added step for the author to get the publisher to understand why they have to sign the new agreements. Some of the publishers made an initial push back, and the authors would say, I don't want to go through the extra effort to push back on it -- that's one more hurdle I have to jump through get my work published.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; ">We don't have data. There's no reporting when they had a failure. &nbsp;We get stories once in a while of someone who persisted and was successful. And a lot of publishers have created better contracts that let the author retain some rights. Some people just strike through "exclusive" and write "non-exclusive." &nbsp;I've done that myself.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; ">Sometimes it turns out that the publisher actually has a better agreement that they'll pull out if there is push-back.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Anderson:</b>&nbsp;There's also a real problem of scalability and consistency. The authors and institutions have a hard time knowing what rights they've actually obtained.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Blixrud:</b> Right - because I could adjust my agreement, but my buddy in the next office might adjust his agreement slightly differently. &nbsp;So now what does the university have for its institutional website? It's hard to keep track of what the different authors have agreed to. Do the authors even know what they've signed? The burden gets put on the libraries to do one-offs on each of these articles.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><b><br /></b></div></div></div>]]>
        <![CDATA[<div><div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Minow:</b>&nbsp;Sounds impossible. And the problem will only get worse in five years. Who remembers what individual agreements they signed five years ago?</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Anderson:</b>&nbsp;Right. There are two aspects to the environmental picture to start with. &nbsp;First, there's the individuality of each author's agreement -- a separate agreement with each publisher for each publication.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; ">Second, many publishers now have green open access policies that are listed on the&nbsp;<span class="caps">SHERPA ROMEO&nbsp;</span>site. It's a great site that lists what the publishers' open-access policies are. But they're all slightly different, with different attributes, and the publishers can change those policies at any time.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; ">While this has introduced some organization and orderliness to this environment, it's still not something that's completely reliable. &nbsp;One publisher may be green on that site and another may not be so green, or a green publisher today may not be so green tomorrow. &nbsp;It's hard to rely on the persistency of those rights.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; ">A third environmental aspect is the institutional policies that are emerging ...</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Minow:</b>&nbsp;Do you mean institutional policies like&nbsp;<a href="http://fairuse.stanford.edu/blog/2010/12/open-access-to-scholarship-par.html" style="text-decoration: underline; ">Harvard's</a>&nbsp;that tell the faculty authors that they must deposit an electronic copy of their work to the school? [<b>Editor:</b>&nbsp;<i>See our interview with HLS's Michelle Pearse for more information on Harvard's open access policies, linked above</i>]</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Anderson:</b>&nbsp;Yes -- many institutions and academic faculties are now adopting policies that require academic authors to grant the institution certain rights in the articles that they publish, such as the right to deposit in an institutional repository and to make the work available for academic use.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Blixrud:</b>&nbsp;We don't have a tradition in the US or Canada I don't think, of faculty articles as work for hire. Europe has more of a work for hire environment.&nbsp;</font></font>Here, we have the tradition that the content faculty authors produce is their own, and they get the copyright.</div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; ">Through these policies, the university faculty are saying, "we'd like to make the content we've been producing more widely available for scholarly use."</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Anderson:</b>&nbsp;So these policies are springing up, but in many cases they still rely on individual action This brings us to the latest development: the notion of using the vehicle of the content license that libraries negotiate with publishers to institutionalize this bundle of rights. &nbsp;Here's our&nbsp;<a href="http://www.arl.org/news/pr/ARblog5jan11.shtml" style="text-decoration: underline; ">press release</a>.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Minow:</b>&nbsp;Fabulous. I hadn't heard of that. Using library content licenses to negotiate author rights.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Anderson:</b>&nbsp;This idea has been around for a while -- for example, the&nbsp;<span class="caps">NESL</span>i2 national educational site license in the UK has had a model clause like this since 2006.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; ">The&nbsp;<span class="caps">U.S.&nbsp;</span>hasn't had a similar model until now, although some of us have been advancing the idea. &nbsp;Since libraries represent their institutions in negotiating agreements with publishers, largely for journal content, there is a ready a vehicle in the form of an institutional agreement -- one agreement between the institution and the publisher that secures content, or a set of rights over that content.&nbsp;</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; ">The idea is, why not use that vehicle to secure the right of the institution's affiliated&nbsp;<b><i>authors</i></b>&nbsp;to retain rights to their work?</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Minow:</b>&nbsp;They're so unconnected, aren't they?</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Anderson:</b>&nbsp;I think the feeling is that they're&nbsp;<i><b>not</b></i>&nbsp;really unconnected. &nbsp;We're representing the institution, and we're in a negotiation relationship with the publisher, and our affiliated authors who publish with that publisher also have a stake in and rights in that content that we are licensing back. &nbsp;So why not use this relationship to also negotiate the authors' rights?</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Blixrud:</b>&nbsp;Most of the content that we're talking about with this agreement are with the large publisher packages.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; ">Say there's an author at an institution who writes an article for an Oxford journal. What we're saying is that in our agreement with Oxford, is that we'd like to be able to have that paper open for us to put in our repository, to be able to used for other scholarly purposes on our campus, whether or not the author has signed some other agreement.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; ">The author has said, Oxford can publish this. &nbsp;And we're saying to Oxford, hi there that's our author, and we'd like to use that work in our institution. We'd like to negotiate that as part of our agreement with you along with all the other things we're negotiating with you on our contract.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; ">That way, even if our authors forgot to negotiate or were oblivious, we still get the content for our repository.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Minow:</b>&nbsp;Nice.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Blixrud:</b>&nbsp;This came up because this one-off effort with authors who had signed article by article, publisher by publisher was a lot of labor. We knew we had to find a better system, and thought the contract license is a better place to do that, at least for large bundles of content.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Anderson:</b>&nbsp;That is the place where there already is an institutional relationship with the publisher. &nbsp;No other part of the institution typically negotiates with publishers; it's the library that has that established set of relationships. This idea came up at a meeting that&nbsp;<span class="caps">ARL&nbsp;</span>hosted on digital repositories in 2009 about how to develop more scalable repository infrastructure and policies.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Minow:</b>&nbsp;This is interesting. I can see lots of complications. What about retrospective content by an author?</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Blixrud:</b>&nbsp;It's whatever's in the package. If my package agreement says I'm getting current content plus past x-years, that's what our clause would indicate.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Anderson:</b>&nbsp;This is initial language that we've put out for comment at this point. &nbsp;We're inviting institutions to adopt it as a matter of policy, but there is also an expectation that it might iterate over time.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Blixrud:</b>&nbsp;It's broadly stated. That's why it's in a blog, rather than something formal. This is an ad hoc group -- we think this covers what we think is needed and we'll make it public now so we can get comments. There's a group of people working on this, but probably not every perspective is represented.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Minow:</b>&nbsp;Another issue, is which contract trumps the other. It seems timing would factor in. That is, what if the author signs a new contract after the institutional content license is signed?</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Anderson:</b>&nbsp;That's a good legal question. I'd be interested in your view! &nbsp;We do have four lawyers in this group, and I vetted the clause with our own institutional counsel, particularly about the issue of making authors third party beneficiaries in a contract between the institution and the publisher.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Blixrud</b>: In a practical sense, the use of this content within the institution, I am quite sure that every institution would weigh in the author's preference.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Minow:</b>&nbsp;How would you capture an individual author's preferences in a blanket contract?</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Blixrud:</b>&nbsp;Well, most of the institutional mandates for deposit I've seen have or are building in opt-out clauses. That is, if a faculty member says, I don't want to play in this agreement, they have an out. &nbsp; They usually have to say why they want an out, so I expect something similar.&nbsp;</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; ">But part of my question would be to the author, "why wouldn't you want it to be available to everyone in the institution?"</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Minow (playing author)</b>: Royalties.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Blixrud:</b>&nbsp;In fact, the benefit to journal authors is visibility, not royalties (unlike book authors). &nbsp;You want to demonstrate impact in your field.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; ">Greater open access means you're more visible and we're increasing knowledge.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; ">It's rare that authors opt out.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Anderson:</b>&nbsp;My understanding is that at Harvard, which has an institutional policy, a lot of the opt outs are because the publisher won't allow it -- the author wants to publish in journal X, and the publisher Y will not comply with the Harvard policy, so the only way to publish is to get an opt-out waiver from the institution.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; ">A clause like this is meant to help that situation by trying to exert some additional institutional leverage on the relationship with the publisher. "We want to ensure in our contract that you will allow our authors to retain their rights, and by the way, we're spending a lot of money on your journals.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Minow:</b>&nbsp;Is there any embargo? That is, is there say, a six month delay before an author can distribute the content?</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Anderson and Blixrud (together):</b>&nbsp;The language doesn't speak to that.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Minow:</b>&nbsp;Other expected pushbacks from publishers?</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Blixrud:</b>&nbsp;There may be some pushback from a publisher who may say "I don't need that clause because I'm green" [Ed. note: See Sherpa/Romeo for&nbsp;<a href="http://www.sherpa.ac.uk/romeo/browse.php?colour=green" style="text-decoration: underline; ">list of green publishers</a>]</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Minow:</b>&nbsp;It seems to me that if a publisher is already green, it would not be a problem to sign the agreement.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Anderson and Blixrud (together):</b>&nbsp;Right!</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Anderson:</b>&nbsp;Some commenters have suggested that a publisher's own green language should be incorporated into the agreement.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Blixrud:</b>&nbsp;We've put the model clause out there, but the agreements that are signed may have something different along the road.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Minow:</b>&nbsp;Ah, but then you'd still need to keep track of the different agreements.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Blixrud:</b>&nbsp;Right. And as Anderson said we're trying to get consistency ... not have all publishers doing something differently. &nbsp;The labor costs of figuring out what you can and can't do with one individual article are tremendous.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Anderson:</b>&nbsp;We want to make these transactions more efficient, and also by being more consistent with model language that everyone can agree to, the result will be more scalable for publishers as well. We've seen a lot more standardization around content licenses in general, so this is just one additional piece that can be added to those models that would make it more efficient for the publishers. They wouldn't have to refer to their own internal legal counsel every time another library comes to them with an agreement, saying what about this version, what about this language.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Minow:</b>&nbsp;Who is a member of the institution? What about visiting professors?</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Blixrud:</b>&nbsp;That is part of the contract. You would have defined who your users are in the contract.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Anderson:</b>&nbsp;It's similar to defining authorized users, which are in fact controlled by institutional policies. Who you give an ID card and email address to helps define who the institutionally affiliated author is.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Edwards:</b>&nbsp;What about portability when an author leaves the institution?</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Anderson:</b>&nbsp;The model clause doesn't give the institution rights -- it gives the author the rights. It says the author shall retain rights to use their Content for a&nbsp;<a href="http://authorrights.wordpress.com/model-language/" style="text-decoration: underline; ">list of scholarly and educational purpose</a>&nbsp;including deposit in institutional repositories.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Minow:</b>&nbsp;I thought it was the institution. Isn't it tricky to negotiate for authors?</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Anderson:</b>&nbsp;Our legal counsel found it to be okay.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Blixrud:</b>&nbsp;We're negotiating on behalf of these same people now, so they have access TO content.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Anderson:</b>&nbsp;We do this every day when we negotiate on behalf of our community.&nbsp;</font></font>Vendors, publishers all have Terms of Service somewhere on their site, often embedded. &nbsp;So our agreements always have a clause stating that notwithstanding the Terms of Service on the provider's site, if they are sufficiently different, our terms will prevail. Why even negotiate terms at all if our users are subject to a contract of adhesion on the website?</div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Minow:</b>&nbsp;This is really interesting. I'll be interested to see what happens.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Blixrud:</b>&nbsp;We expect some will go ahead and sign -- especially green publishers. As&nbsp;</font></font>for others, if it just keeps showing up, they will probably eventually sign. We felt the best thing we could do is give people real language, real clauses. If in every agreement it keeps coming up, the other party will have to notice that this is important. It's not going to go away, and they'll ask, "what can we do to meet that need?"</div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; ">That's what we've learned over the years. You just have to keep pushing on the things that you need.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Minow:</b>&nbsp;What about ebooks?</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Anderson:</b>&nbsp;You've rightly identified that book content is often different because of royalties.&nbsp;</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Blixrud:</b>&nbsp;This is for journal content. Ebook models are all over the map.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Anderson:</b>&nbsp;We have open access relationships with publishers who publish both journals and books, and we've had to clarify that this only applies to journals.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Edwards:</b>&nbsp;Do you see differences across disciplines - business schools, law schools, medical schools, etc., all with different mindsets?</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Anderson:</b>&nbsp;We haven't seen those kinds of differences.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Blixrud:</b>&nbsp;At the&nbsp;<span class="caps">ARL&nbsp;</span>level, most of the contract negotiations are for content used across the institution. There may be separate contracts for medical and law, but most content is to serve everyone.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Anderson:</b>&nbsp;The strongest open access movement is in the biomedical sciences, but I don't think there's a protectionist view in non-science disciplines, just a lack of outside impetus. The biomedical and other sciences frequently have grant funding and typically engage in highly collaborative, data intensive research that requires widespread geographic teams where everyone needs access to the same content, whereas the humanities typically don't operate that way. &nbsp;</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Minow:</b>&nbsp;What about all the small publishers? Is the focus on large publishers?</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Anderson:</b>&nbsp;The best estimates are that there are about 25,000 peer reviewed journals. Large publishers control a significant fraction, but there are still lots of individual publishers and societies. &nbsp;Some of these may sell their content online through an aggregator. We can't negotiate these rights with aggregators; they're not in the position to grant them.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; ">So a limited number of publishers cover a large percentage of content.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Blixrud:</b>&nbsp;It's an 80/20 thing. Life will be a lot better if we get the 80%.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Minow:</b>&nbsp;Any related efforts?</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Anderson:</b>&nbsp;I mentioned earlier the&nbsp;<span class="caps">NESL</span>i2 initiative in the UK (there's a&nbsp;<a href="http://authorrights.wordpress.com/related-efforts/" style="text-decoration: underline; ">link in our blog</a>). &nbsp;And there's a new joint UK-European effort to collaborate on similar language. &nbsp;We're staying in touch with these efforts. &nbsp;</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Minow and Edwards:</b>&nbsp;Thanks so much for talking with us today.</font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><div><b>Mary Minow</b>&nbsp;is the Executive Editor of the Stanford Copyright &amp; Fair Use site.</div><div><br /></div><div><b>Eli Edwards</b>&nbsp;is an intern and Content Minion of the Stanford Copyright &amp; Fair Use site.</div></font></font></div><div><span class="Apple-style-span" style="color: rgb(49, 49, 49); font-size: 11px; line-height: 16px; "><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></span></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><b>Julia Blixrud</b>&nbsp;is the&nbsp;<a href="http://www.arl.org/arl/staff/blixrud.shtml" style="text-decoration: underline; ">Assistant Executive Director, Scholarly Communication</a>, for the Association of Research Libraries where her responsibilities include promoting positive change in the scholarly communication system. &nbsp;From August 1999 to spring 2009, she also served as the Assistant Director for Public Programs for&nbsp;<span class="caps">SPARC,&nbsp;</span>the&nbsp;<a href="http://www.arl.org/sparc/" style="text-decoration: underline; ">Scholarly Publishing and Academic Resources Coalition</a>. &nbsp;</font></font></div></div></div><div><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 0.8em; "><br /></font></font></div><div><b><div>Ivy Anderson&nbsp;<span class="Apple-style-span" style="font-weight: normal; ">is the Director of Collection Development and Management at&nbsp;</span><span class="Apple-style-span" style="font-weight: normal; "><b><div style="display: inline !important; "><span class="Apple-style-span" style="font-weight: normal; ">the&nbsp;<a href="http://www.cdlib.org/" style="text-decoration: underline; ">California Digital Library</a>, where she coordinates a broad range of&nbsp;</span></div></b></span><span class="Apple-style-span" style="font-weight: normal; "><b><div style="display: inline !important; "><span class="Apple-style-span" style="font-weight: normal; ">shared collections activities encompassing licensed content, management</span></div></b></span></div><div><span class="Apple-style-span" style="font-weight: normal; ">of shared print collections, and mass digitization on behalf of the ten&nbsp;</span><span class="Apple-style-span" style="font-weight: normal; "><b><div style="display: inline !important; "><span class="Apple-style-span" style="font-weight: normal; ">campuses of the University of California system. &nbsp;Before coming to the&nbsp;</span></div></b></span><span class="Apple-style-span" style="font-weight: normal; "><b><div style="display: inline !important; "><span class="Apple-style-span" style="font-weight: normal; ">CDL in December 2005, Ivy was Program Manager for E-Resource Management</span></div></b></span></div><div><span class="Apple-style-span" style="font-weight: normal; ">and Licensing at the Harvard University Library, where she developed and&nbsp;</span><span class="Apple-style-span" style="font-weight: normal; "><b><div style="display: inline !important; "><span class="Apple-style-span" style="font-weight: normal; ">managed a shared licensing program on behalf of Harvard's many&nbsp;</span></div></b></span><span class="Apple-style-span" style="font-weight: normal; "><b><div style="display: inline !important; "><span class="Apple-style-span" style="font-weight: normal; ">libraries.</span></div></b></span></div></b></div>]]>
    </content>
</entry>

<entry>
    <title>Open Access Scholarship, Part II: An Interview with Richard A. Danner</title>
    <link rel="alternate" type="text/html" href="http://fairuse.stanford.edu/blog/2011/01/open-access-scholarship-part-i.html" />
    <id>tag:www.fairlyusedblog.com,2011://1.91</id>

    <published>2011-01-05T23:23:26Z</published>
    <updated>2011-01-20T00:32:13Z</updated>

    <summary><![CDATA[ Part I of Open Access Scholarship was an interview of Michelle Pearse, conducted by Executive Editor Mary Minow. &nbsp;As promised, here is part II, which will specifically address law reviews and legal scholarship.Eli Edwards: Nearly two years ago, a...]]></summary>
    <author>
        <name>Mary Minow</name>
        <uri>http://blog.librarylaw.com/</uri>
    </author>
    
        <category term="Commentary, Analysis, and Interviews" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="copyright" label="copyright" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="danner" label="Danner" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="dukelawschool" label="Duke Law School" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="durhamstatement" label="durham statement" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="lawreviews" label="law reviews" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="openaccess" label="open access" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="scholarship" label="scholarship" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.fairlyusedblog.com/">
        <![CDATA[ <span class="mt-enclosure mt-enclosure-image">Part I of Open Access Scholarship was an <a href="http://fairuse.stanford.edu/blog/2010/12/open-access-to-scholarship-par.html">interview of Michelle Pearse</a>, conducted by Executive Editor Mary Minow. &nbsp;As promised, here is part II, which will specifically address law reviews and legal scholarship.<br /><br /><a href="http://www.fairlyusedblog.com/danner.jpg"><img alt="danner.jpg" src="http://www.fairlyusedblog.com/assets_c/2011/01/danner-thumb-165x165.jpg" class="mt-image-left" style="float: left; margin: 0pt 20px 20px 0pt;" height="165" width="165" /></a></span><p><b>Eli Edwards:</b> Nearly two years ago, a group of academic law library directors promulgated the Durham Statement on Open Access to Legal Scholarship. It called for (1) open access publication of law school-published journals, and (2) an end to print publication of law journals, coupled with a commitment to keeping the electronic versions available in 'stable, open, digital formats." </p>

<p>Recently, we talked with <a href="http://www.law.duke.edu/fac/danner/" target="_blank">Richard A. Danner</a>, Rufty Research Professor of Law and Senior Associate Dean for Information Services at Duke Law School.</p>
<p><b>Danner:</b> Duke University adopted an open access policy in
March 2010.  The policy, which is available <a href="http://library.duke.edu/openaccess/duke-openaccess-policy.html" target="_blank">here</a> [PDF] has not to my knowledge ever been published in final form.  The policy is very similar to those
adopted at schools and other entities at Harvard; the main difference
being that Duke's policy is university-wide.  It is also stated as a
mandatory policy, but the legislative history, such as it is, indicates
it is not.</p>

<p>Duke has had DSpace running, under the name <a href="http://dukespace.lib.duke.edu/dspace/" target="_blank">DukeSpace</a>, for several years, mostly for electronic theses and dissertations. In the short term
it is also being used as the platform for archiving and access of
faculty publications, but the longer term plans are to move toward a new
repository system being developed at Duke using the Fedora Commons.</p>

<p>The Law School started its own Faculty <a href="http://scholarship.law.duke.edu/" target="_blank">Scholarship Repository</a> in 2005, providing free access to the majority of all articles published by then
members of the Duke Law faculty. The contents of that archive are now
the foundation of the Duke Law Scholarship Repository on BePress, with
which we have partnered through Nellco since 2009.  Our repository
policies do not include a mandate, but in practice nearly our faculty
publishes of a scholarly nature is included.  Over time, it will
include: the texts of lectures delivered at Duke Law, webcasts from
scholarly presentations and conferences, publications of Duke Law's
research centers, Duke Law student works, and more.</p>

<p><b>Edwards:</b> Prof. Danner, you recently presented a paper at Duke, at the workshop, "Implementing the Durham Statement: Best Practices for Open Access Law Journals" on Oct. 22, 2010. [The current draft of the paper is available here:&nbsp;<a href="http://www.fairlyusedblog.com/Danner%20draft%20formatted%20RAD%2023%20Nov%202010.PDF">Danner draft formatted RAD 23 Nov 2010.PDF</a>&nbsp;(PDF); see below for an excerpt of the most recent draft - <i>EE</i>] If you were to summarize the progress made in the last two years, what would you say?</p>

<p>I am not sure what actually I can add to what is in the paper I sent,
which my co-authors and I did revise substantially after the October
conference. As Michelle [Pearse - see previous <a href="http://fairuse.stanford.edu/blog/2010/12/open-access-to-scholarship-par.html">blogpost/interview</a>] knows, student law journal editors often say that they are reluctant to move to all-electronic publishing because authors are reluctant to publish in non-print
journals. [This and other issues surrounding open access legal scholarship will be part of an upcoming article in <i><a href="http://www.law.duke.edu/magazine/index" target="_blank">Duke Law Magazine</a>.</i>]</p>

<p>To assess these comments, my Duke colleagues, Marguerite Most and Kiril
Kolev, and I have designed a brief survey to gather information about
attitudes toward electronic publication of scholars who have recently
published articles in leading law reviews.  After pretesting the survey
in December and gaining approval from University reviewers, we will
administer the survey in mid-January to authors of articles in the last
two completed volumes of the lead journals published at the US News
top-fifteen ranked law journals.</p>

<p>Faculty members who frequently publish articles in the top law reviews
and journals will share their attitudes towards online publications by
filling out a nine-question online questionnaire. about 500 scholars
will be contacted via email and invited to fill out the survey. The
questions are designed to gain insight into how important print
publication is to authors who publish in leading law journals.</p>

<p>I think this should be an interesting exercise and look forward to the
results.</p>

<p><b>Edwards:</b> As will we! Thank you so much for talking with us, Prof. Danner.

</p><p>========================================================================</p>

<p>Eli Edwards is an intern and Content Minion of the Stanford Copyright &amp; Fair Use site.</p>

<p>Richard A. Danner is Senior Associate Dean for Information Services, and Archibald C. and Frances Fulk Rufty Research Professor of Law. Professor Danner has been active in the affairs of the American Association of Law Libraries, the International Association of Law Libraries, the American Bar Association Section of Legal Education and Admissions to the Bar, and the Association of American Law Schools. From 1984-94, he served as editor of AALL's Law Library Journal. He was President of AALL in 1989-90 and has chaired several AALL special committees and task forces; he served on the executive committee of the AALS from 2002-2004, and as first vice-president of the IALL from 2004-2010.</p>

<p>========================================================================</p>

<h3 style="text-align: center;">EXCERPT:&nbsp;</h3><h3 style="text-align: center;">The Durham Statement Two Years Later:&nbsp;</h3><h3 style="text-align: center;">Open Access in the Law School Journal Environment</h3>

<p>The Durham Statement calls for law schools to end print publication of law journals in a planned and coordinated effort led by the legal education community, focused on ensuring access to and preservation of the electronic journal literature. Without that effort, in an economic environment in which external factors are more than ever impacting libraries' collection decisions and law school budgets, what can we do to assure that electronically-published legal scholarship will remain available to future scholars?</p>

<p>...</p>

<p>1. It is time for law librarians to explore alternatives for preserving legal scholarship working in concert with the other stakeholders, including:
</p><ul>
	<li>Existing efforts to preserve legal information, such as the Legal Preservation Alliance (LIPA), which in 2010 established the Legal Information Archive as a collaborative digital archive . . . to preserve and ensure permanent access to vital legal information currently published in digital formats.</li>
	<li>Legal publishers holding extensive libraries of law journal content in electronic format -- LexisNexis and Westlaw, but perhaps primarily HeinOnline, with its extensive retrospective collections. Will their interests in preserving access to law journals for their commercial value mean they will now preserve digital content as libraries have traditionally preserved print content?</li>
	<li>Established preservation and electronic archiving programs such as Portico and LOCCKS, which have worked mostly with libraries and publishers outside of law.</li>
	<li>The Library of Congress, which already receives copies of all law journals whether published in print or electronic format under the mandatory deposit requirements of the Copyright Act, and works to establish best practices for digital preservation through the National Digital Information Infrastructure &amp; Preservation Program (NDIIPP).</li>
	<li>Institutional repositories, such as Harvard University's local Digital Access to Scholarship at Harvard (DASH), or services such as the bepress Digital Commons, which hosts repositories for a number of law schools and supports law review publication.</li>
	<li>Printers of law journals, in order to forge the future role of print for preservation or print-on-demand services for legal scholarship.</li>
</ul>

<p>2. It is also necessary to promote the use of common standards for formatting the files of the documents. Joe Hodnicki has noted ALA's and ACRL's calls for across-the-board format standardization, and the use of a standard mark-up language (e.g., XML) instead of PDF. Wayne Miller has proposed developing mutually-agreed upon law journal formats for archiving, preservation, and other uses.</p>

<p>3. It is time as well to take the initiative to create opportunities for dialogue with law school deans, law review editors, interested faculty, and legal information vendors on the need for concerted action regarding access to and preservation of electronically published law journals.
These activities do not answer all of the concerns raised regarding the Durham Statement's call to end print publication of law journals, but they should at least provide a start for action toward meeting those concerns.</p>]]>
        
    </content>
</entry>

<entry>
    <title>Open Access to Scholarship, Part I: A Conversation with Michelle Pearse</title>
    <link rel="alternate" type="text/html" href="http://fairuse.stanford.edu/blog/2010/12/open-access-to-scholarship-par.html" />
    <id>tag:www.fairlyusedblog.com,2010://1.90</id>

    <published>2010-12-31T01:10:14Z</published>
    <updated>2011-01-03T19:15:24Z</updated>

    <summary>Mary Minow had a chance to talk with a colleague at Harvard Law School about Open Access.Nearly two years ago, the Harvard University Faculty of Arts and Sciences unanimously voted to grant the university a non-exclusive, irrevocable, worldwide license to...</summary>
    <author>
        <name>Mary Minow</name>
        <uri>http://blog.librarylaw.com/</uri>
    </author>
    
        <category term="Commentary, Analysis, and Interviews" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="lawjournals" label="law journals" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="lawreviews" label="law reviews" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="michellepearse" label="Michelle Pearse" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="openaccess" label="open access" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.fairlyusedblog.com/">
        <![CDATA[<span class="mt-enclosure mt-enclosure-image"><a href="http://www.fairlyusedblog.com/pearse.jpg"><img alt="pearse.jpg" src="http://www.fairlyusedblog.com/pearse-thumb-157x157.jpg" width="157" height="157" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></a></span><h3><span class="Apple-style-span" style="font-size: 13px; ">Mary Minow had a chance to talk with a colleague at Harvard Law School about Open Access.</span></h3><div>Nearly two years ago, the Harvard University Faculty of Arts and Sciences unanimously voted to grant the university a non-exclusive, irrevocable, worldwide license to distribute faculty's scholarly articles, with an opt-out mechanism for instance in the case of incompatible rights assignment to a publisher.</div>

<p>Today, Mary talked with <a href="http://libguides.law.harvard.edu/profile.php?uid=14874" target="_blank">Michelle Pearse</a>, Research Librarian for Open Access Initiatives and Scholarly Communication, Harvard Law School Library.</p>

<p><b>Minow:</b> Michelle, now that the <a href="http://osc.hul.harvard.edu/hlspolicy" target="_blank">Open Access Policy</a> has been in place for two years, how has it been working out?</p>

<p><b>Pearse:</b> It has been an interesting journey.  We are still in the process of reaching out to and educating the faculty, trying to get them to understand the <a href="http://osc.hul.harvard.edu/policies" target="_blank">policy</a> and get it into their personal workflows.  As part of our reorganization in Summer 2009, we made publication support part of library services, so we have tried to implement and educate faculty about the policy in that context (i.e. the policy is one aspect of the publication process now).    The policy is often referred to as a mandate, which is a bit of a misnomer because faculty are always free to seek a waiver. (See the Director of Harvard's Office for Scholarly Communication posting about this issue on his <a href="http://blogs.law.harvard.edu/pamphlet/2009/06/30/university-open-access-policies-as-mandates/" target="blank">Occasional Pamphlet blog</a>.)</p>

<p>It can be challenging implementing such a policy. It is important that we make the process as simple and straightforward as possible. While the traditional mark of repository success seems to be the number of items deposited, I think the more important metric at this point is progress in educating the faculty and cultivating relationships with them so they see the library as a partner in their publishing experience---from initial research to the disseminating the final product.</p>

<p>The open access policy itself applies only to scholarly journal articles, and our faculty actively publish books and other materials that do not even fall under the policy.  We envision a "one-stop-shopping" system literally and figuratively. We are trying to develop workflows and technical systems that can truly realize that vision.</p>

<p><b>Minow:</b> Since you have experience now with the journals, what has been the journal reaction to the policy? </p>
 
<p><b>Pearse:</b> Overall, there is confusion about what these policies mean or are trying to do, so there is quite a bit of education with the publishers.   The "teachable moment" often comes up when an author uses <a href="http://osc.hul.harvard.edu/authors/amend" target="_blank">the addendum that the university has provided for faculty to send along with publication agreements</a>. Most of the larger publishers of the peer-reviewed journals are already aware of the policy, and some have started asking their authors to show proof that they have submitted waivers. We have waiver language for faculty, that states that the faculty member has granted Harvard a license with respect to his or her scholarly articles, and that a waiver is requested for a particular article.</p>

<p>In an odd way, it actually facilitates my outreach work with faculty as it brings the issue to the forefront.</p>

<p>There have been some instances where even when a waiver has been submitted, in the end the publisher agrees to budge a little bit from its routine policy as a compromise. </p>

<p><b>Minow:</b> In what way?</p>

<p><b>Pearse:</b> For example, the publisher may authorize self-archiving of a later version than it normally permits. With some of the bigger publishers, it can be a challenge figuring out the appropriate person with whom to discuss these issues.</p>

<p><b>Minow:</b> Law reviews are produced by the law schools, and edited by students. Do you get a different reception from law reviews than you do from other journal publishers?</p>
 
<p><b>Pearse:</b> Yes. By contrast, the law school law reviews are generally more supportive of the policy (particular the ones that have their contents open or "gratis open access"), but they are not always comfortable with or understand the terms of the Harvard license. We are trying to compile a list of law journals that are expressly supportive of the policy to facilitate workflow and educate faculty when they are publishing. At some point, if more law schools adopt open access policies, it would be great to have that information incorporated into submission systems and journal web pages.</p>
 
<p><b>Minow:</b> How has it been implementing it in a university environment that has different schools enacting open access (e.g. centralized vs. local practices)?</p>
 
<p><b>Pearse:</b> We were only the second school after the Faculty of Arts and Sciences (FAS) to adopt the open access policy, so it has been interesting to watch the <a href="http://osc.hul.harvard.edu/">Office for Scholarly Communication</a> (OSC) evolve over time. We now have 6 schools at Harvard with OA policies. The growth in the number of schools has provided a fabulous opportunity to meet with colleagues working on similar issues, to share thoughts and processes for workflow, experiences with implementing the policies, etc. ... especially where scholarship has become so interdisciplinary now.  Over time, the OSC has also developed rich external and internal sites where we can share tools to help with the administrative aspects of implementing the policy. It also has open access student "fellows" that we have occasionally used to help populate the repository. We are also hoping that centralized discussions and negotiating with publishers will be helpful in communicating with publishers and facilitating the deposit of content.</p>
 
<p>Some of the "advantages" of centralization, however, can also create some of the biggest challenges. For example, we are fortunate to have a central office to run the repository on a technical level (it uses <a href="http://www.dspace.org/">DSpace</a>), but it also means we sometimes have to wait for certain developments to take place or compromise if have different ideas about the look and feel of the interface.    In general, these issues tend to work themselves out.  For example, delays in technical developments that are problematic for us often tend to be important to other schools as well, which can cause them to move up the priority list.   The schools (and disciplines) have very different cultures, so it is interesting to see how these local cultural differences sometimes affect how we might approach certain aspects of implementing the policy like outreach and workflow.    It is also interesting to see how the language of the policies themselves are slightly different and have evolved with each new school adopting a policy.  (At this point, each school has its own language and responsibilities in figuring out how it wants the policy to operate in its own school.)    While we can share technical resources and information and harness the synergies that exist, I think we will have to think about ways to create overlays and develop underlying workflows that can be customized to  accommodate our own needs. </p>

<p><b>Minow:</b> Thank you so much for your update!
 
</p><p> ========================================================================</p>

<p>For part two of Open Access Scholarship, we will be discussing the <a href="http://cyber.law.harvard.edu/publications/durhamstatement" target="_blank">Durham Statement</a> and what has happened in the two years since its publication with <a href="http://www.law.duke.edu/fac/danner/" target="_blank">Richard A. Danner</a>, Rufty Research Professor of Law and Senior Associate Dean for Information Services at Duke Law School.</p>

<p> ========================================================================</p>
<p>Mary Minow is the Executive Editor of the Stanford Copyright &amp; Fair Use site.</p>

<p>Michelle Pearse is the Research Librarian for Open Access Initiatives and Scholarly Communication, Harvard Law School Library. You can follow her on Twitter at <a href="http://twitter.com/aabibliographer" target="_blank">@aabibliographer</a>.</p>]]>
        
    </content>
</entry>

<entry>
    <title>New Copyright Videos</title>
    <link rel="alternate" type="text/html" href="http://fairuse.stanford.edu/blog/2010/12/new-copyright-videos.html" />
    <id>tag:www.fairlyusedblog.com,2010://1.89</id>

    <published>2010-12-21T20:05:30Z</published>
    <updated>2010-12-21T23:12:20Z</updated>

    <summary>Copyright and controversies over its enforcement by no means limited to the United States. The world’s first copyright legislation was England’s Statute of Anne, enacted in 1710. The Berne Convention for the Protection of Literary and Artistic Works, the first...</summary>
    <author>
        <name>Mary Minow</name>
        <uri>http://blog.librarylaw.com/</uri>
    </author>
    
        <category term="Site News" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="berneconvention" label="Berne convention" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="copyright" label="copyright" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="corydoctorow" label="Cory Doctorow" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="digitalrights" label="digital rights" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="eu" label="EU" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="fairuse" label="fair use" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="jamesboyle" label="James Boyle" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="lawrencelessig" label="Lawrence Lessig" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mathiasklang" label="Mathias Klang" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="org" label="ORG" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="orgcon" label="ORGCon" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="statuteofanne" label="statute of anne" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="uk" label="UK" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.fairlyusedblog.com/">
        <![CDATA[<p>Copyright and controversies over its enforcement by no means limited to the United States. The world’s first copyright legislation was England’s <a href="http://www.copyrighthistory.com/anne.html" target="_blank">Statute of Anne</a>, enacted in 1710. The <a href="http://www.wipo.int/treaties/en/ip/berne/summary_berne.html" target="_blank">Berne Convention for the Protection of Literary and Artistic Works</a>, the first international copyright agreement, was first written in 1886. </p>

<p>And while debates over copyright enforcement, length of protection and the extent of exemptions continue in the U.S., similar efforts and arguments are being made in Canada, the UK and Europe.  Our <a href="" target="_blank">video page</a> has excerpts from the ongoing conversation. One highlight is a speech on copyright from <a href="http://www.digital-rights.net/?page_id=1231" target="_blank">Mathias Klang</a>, a researcher and senior lecturer at the University of Göteborg in Sweden. Most of the latest videos are from a July 2010 conference called <a href="http://www.openrightsgroup.org/orgcon-programme" target="_blank">ORGCon</a>, conducted by the <a href="http://www.openrightsgroup.org/" target="_blank">Open Rights Group</a>, a group devoted to advocating digital rights in the UK.</p>

<p>But for you hardcore Lawrence Lessig fans (and I am one, thank you very much), there’s also a new TED talk from him on copyright, fair use and remix culture mashed up with politics. Brief, but humorous and thought-provoking, as one would expect from Prof. Lessig.</p><p>&nbsp;&nbsp; -- Eli Edwards, Content Minion</p>]]>
        
    </content>
</entry>

<entry>
    <title>Music copyright cases - Judith Finell talk Oct 21</title>
    <link rel="alternate" type="text/html" href="http://fairuse.stanford.edu/blog/2010/10/music-copyright-cases-judith-f.html" />
    <id>tag:www.fairlyusedblog.com,2010://1.88</id>

    <published>2010-10-13T17:22:21Z</published>
    <updated>2010-10-13T17:23:29Z</updated>

    <summary>The Center for Internet and Society presents Judith Finell Invasion of the Tune Snatchers - Does Copyright Law Inhibit or Enhance Musical Creativity Today? Thursday, October 21, 2010 Room 280A, Stanford Law School 12:45pm-2:00pm Lunch will be served. http://cyberlaw.stanford.edu/node/6538 Music...</summary>
    <author>
        <name>Mary Minow</name>
        <uri>http://blog.librarylaw.com/</uri>
    </author>
    
        <category term="Stanford " scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="copyright" label="copyright" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.fairlyusedblog.com/">
        <![CDATA[The Center for Internet and Society presents<br />
<br />
Judith Finell<br />
Invasion of the Tune Snatchers - Does Copyright Law Inhibit or Enhance Musical Creativity Today?<br />
<br />
Thursday, October 21, 2010<br />
Room 280A, Stanford Law School<br />
12:45pm-2:00pm<br />
Lunch will be served.<br />
<a href="http://cyberlaw.stanford.edu/node/6538" target="_blank">http://cyberlaw.stanford.edu/node/6538</a><br />
<br />
<span class="il">Music</span> technology has radically changed the way in which <span class="il">music</span>
 is composed, produced, performed, and obtained. Many artists openly 
utilize the works of others, often altering the core sonic 
characteristics of a sampled fragment. These developments pose new 
challenges to doctrines such as fair use, scenes a faire, and 
infringement criteria, such as access, transformative use, and prior 
art. Musicologist and expert witness Judith Finell will discuss these 
issues, and present musical examples from recent copyright cases.<br />
<br />
Judith Finell is a musicologist who specializes in issues involving <span class="il">music</span> as intellectual property. Her arena is the intersection of <span class="il">music</span>,
 law, and technology. She formed her consulting firm Judith Finell 
Musicservices Inc. in New York over 20 years ago, to serve copyright and
 entertainment attorneys, and the <span class="il">music</span>, 
entertainment, media, technology, and advertising industries. She has 
testified as an expert witness in many leading copyright cases 
throughout the country, and is a frequent guest speaker before attorney 
groups, law schools, and intellectual property organizations.<br />
<br />
Her paper on this topic can be found at: <a href="http://www.law.stanford.edu/calendar/details/4548/CIS%20Speaker%20Series%20-%20Judith%20Finell%20/#related_media" target="_blank">http://www.law.stanford.edu/calendar/details/4548/CIS%20Speaker%20Series%20-%20Judith%20Finell%20/#related_media</a> ]]>
        
    </content>
</entry>

<entry>
    <title>Rising Into the Public Domain: The Copyright Review Management System (CRMS) at the University of Michigan</title>
    <link rel="alternate" type="text/html" href="http://fairuse.stanford.edu/blog/2010/09/rising-into-the-public-domain.html" />
    <id>tag:www.fairlyusedblog.com,2010://1.87</id>

    <published>2010-09-09T07:11:15Z</published>
    <updated>2010-09-11T00:34:45Z</updated>

    <summary>Rising Into the Public Domain: The Copyright Review Management System (CRMS) at the University of MichiganInterview with John Wilkin, Associate University Librarian for Library Information Technology and Executive Director, HathiTrust and Principal Investigator for CRMSMary Minow: Where does CRMS fit...</summary>
    <author>
        <name>Mary Minow</name>
        <uri>http://blog.librarylaw.com/</uri>
    </author>
    
        <category term="Commentary, Analysis, and Interviews" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="copyright" label="copyright" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="crms" label="CRMS" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="digitization" label="digitization" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="google" label="Google" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="hathitrust" label="HathiTrust" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="michigan" label="Michigan" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="tools" label="tools" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="university" label="university" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.fairlyusedblog.com/">
        <![CDATA[<p><b>Rising Into the Public Domain: The <a href="http://www.lib.umich.edu/imls-national-leadership-grant-crms" target="_blank">Copyright Review Management System</a> (CRMS) at the University of Michigan</b></p><p><i>Interview with John Wilkin, Associate University Librarian for Library Information Technology and Executive Director, HathiTrust and Principal Investigator for CRMS</i></p><i><a href="http://www.fairlyusedblog.com/jpwilkin-125x135.jpg"><img alt="jpwilkin-125x135.jpg" class="mt-image-left" src="http://www.fairlyusedblog.com/jpwilkin-125x135.jpg" style="float: left; margin: 0pt 20px 20px 0pt;" height=135 width=125 /></a></i><p><b>Mary Minow:</b> Where does CRMS fit into the scheme of other copyright tools, such as the <a href="http://fairuse.stanford.edu/commentary_and_analysis/2007_08_calter.html" target="_blank">Determinator</a>?</p><p><b>John Wilkin:</b> The Determinator is a good point of comparison for us. It serves as a resource for helping someone make a determination, and what we wanted to do is actually make determinations. The focus is on materials in our Collections, across the <a href="http://www.hathitrust.org/partnership" target="_blank">HathiTrust partnership</a>. We are not so concerned about where a book comes from, because we think of [the corpus] as a "collective collection" ... materials from across the board.</p><p>I think we did have, early on, perhaps a naive sense that we might be able to make those determinations without the materials being in front of us, digitally or in print. We quickly concluded, though, that the only way to do the work was to have those works in hand. And we chose to have them in hand, digitally. And the digital flow of materials drives the prioritization process.</p><p><b>Minow:</b> When you say digitally in hand, it sounds like researchers are allowed to look at the text, the preface, etc.</p><p><b>Wilkin:</b> That's right. We have a strong authentication and authorization system, and it's tied into the Michigan <a href="http://cosign.sourceforge.net/" target="_blank">CoSign</a> system, but also it uses <a href="http://www.itcs.umich.edu/identity/shibboleth/faq/itstaff.php" target="_blank">Shibboleth</a>. So that gives us a lot of tools there. In this case, we use a two factor authentication for all reviewers. They have to authenticate [with a password], and they have to be, essentially, at their desk. They can't take their identities home and start looking at materials that are still in copyright. So it's very much justified by the work they're doing.</p><p><b>Minow:</b> Doesn't Google make its own determinations of what's in the Public Domain? Do they come up with different determinations? Is there duplicative work going on?</p><p><b>Wilkin:</b> We're doing the 1923-1963 work.</p><p><b>Minow:</b> That is, a focus on books published between 1923 and 1963. Books published in the U.S. prior to 1923 are in the Public Domain. The Copyright Renewal Act of 1992 automatically extended the copyright terms of works published in 1964 and later.</p><p><b>Wilkin:</b> Right. So far as we know, Google is not doing the 23-63 work. Both Google and HathiTrust do a layer of very automatic determinations. Ours is entirely automatic, based on elements in the MARC record. They have reviewers look at materials to do some [consultation] because occasionally the bibliographic information is not reliable. That's the point at which we'll look most similar, with some exceptions.</p><p>There are important areas where we deviate. We are opening up U.S. Federal Docs, post 1922. Google is considering that now, but they have been slow to do that. They're considering what classes of materials they'll open up. HathiTrust will say that U.S. government docs are, by and large, in the Public Domain.</p><p>Then we diverge. For example, we're going to look at U.S. pre-1923 materials as in the Public Domain, and we're going to look at users outside the U.S. differently for materials that were published outside the US does that make sense?</p><p><b>Minow:</b> Help me out here.</p><p><b>Wilkin:</b> For the user in the U.S. or really for anybody in the world, we deem U.S. works pre-1923 as being in the Public Domain. And for the user in the U.S., we also deem non-U.S. works pre-1923 as in the Public Domain. For users outside the U.S., we are fairly conservative with non-U.S. works. I think the date we're using now is about 1870. It's a rolling wall, and essentially a best guess. It would be that date for a young author who lived a long time who published something. We use statistical probability, and we roll that wall forward every year.</p><p><b>Minow:</b> How do you figure out if the work was published first outside the country?</p><p><b>Wilkin:</b> We primarily use the bib record of the publication. If the place of publication is outside the U.S., we assume that it was [first published there]. Effectively we are conservative unless we get a good look at something and make an individual determination.</p><p>We ingested 700,000 volumes one month, so that gives you a sense of the scale we're working at. We're never going to have the resources needed to do individual sorts of this one should go here and that one should go there.</p><p><b>Minow:</b> You mentioned that you're using the Determinator, but that's only available for <a href="http://collections.stanford.edu/copyrightrenewals/bin/page?forward=about&amp;section=true" target="_blank">Class A</a> books. Are most of your materials Class A books?</p><p><b>Wilkin:</b> They're all Class A books. The reviewers use the Determinator and other tools, they look at the book and they make an assessment. They look to see that there are not embedded rights problems in making those determinations.</p><p><b>Minow:</b> Inserts - photos, stories, poems - you'd almost have to read every page.</p><p><b>Wilkin:</b> Well, we look at acknowledgements, not the entire book. There are going to be some cases where the acknowledgements are not that adequate. We have an advertised takedown policy, and we've never been contacted about anything that is an insert.</p><p><b>Minow:</b> It takes my breath away to look at that level.</p><p><b>Wilkin:</b> The insert issue is of particular concern in Congressional materials, such as materials that are inserted into the record for hearings. We work with the assumption that these inserts are part of the public record and that they are provided or reproduced in that context.</p><p><b>Minow:</b> In Section 108(h), the copyright law gives 20 years back to libraries and archives even on the web, if not subject to normal commercial exploitation. Here's a <a href="http://www.librarylaw.com/DigitizationTable.htm" target="_blank">chart</a> I made, showing that, for example, that libraries and archives may make and distribute copies of works up through 1934 this year, instead of 1922. The catch is that the works cannot be subject to an undefined "normal commercial exploitation."</p><p><b>Wilkin:</b> We're not taking advantage of that at this point.</p><p><b>Minow:</b> Another thought I had, after reading Melissa Levine's article, is that many authors of older works retain their digital rights, because when they signed publisher agreements, digital rights were not yet contemplated. Are you taking advantage of that? [<a href="http://publications.arl.org/rli/s68n7/15" target="_blank">Opening Up Content in HathiTrust: Using HathiTrust Permissions Agreements to Make Authors' Work Available</a>, Research Library Issues, no. 269 (April 2010): Special Issue on Strategies for Opening Up Content]</p><p><b>Wilkin:</b> We're not. We're just testing the waters, taking baby steps. We're only dealing with works where the rights have reverted to the author and when the author or publisher knows they own the rights. As it turns out, we've had some fairly large lump permissions. For example, in at least one case where a journal died, the journal publisher gave us permission to open up the full run of the journal. As it turns out, a few organizations have opened up a large number of publications.</p><p>Melissa's article is an early step for us. We haven't gone out to seek permissions from authors, yet. But it's most definitely something we want to do.</p><p><b>Minow:</b> The University of Michigan is a player in the OCLC pilot project, the WorldCat <a href="http://www.worldcat.org/copyrightevidence" target="_blank">Copyright Evidence Registry</a>. Does that mean your determinations of copyright for the works you examine then feed into that Registry?</p><p><b>Wilkin:</b> I think that effort is in limbo right now. We did set up a mechanism that we could share our determinations with them. The Registry was set up to allow institutions to identify records that need to be enhanced or annotated with information about URLs and rights, etc. In our distribution mechanism, there's one record for every volume in the repository at this point.</p><p>We think of OCLC as a central switching point for bibliographic info, so it seemed like a natural for them to have a registry of copyright evidence. We were making data available to them, but in fact we have now 6 million volumes, each identified with our either automatic or manual copyright determination, so that's more than what OCLC would have, I guess, aspired to do.</p><p>In the CRMS process, that's only been tens of thousands of volumes, but someone could start with our 6 million volumes and look for changes.</p><p><b>Minow:</b> But it wouldn't be open in the sense that someone could put their own data in, right?</p><p><b>Wilkin:</b> Exactly, and the Copyright Evidence Registry was intended to be that.</p><p><b>Minow:</b> Is there anything you'd like to add?</p><p><b>Wilkin:</b> Well, for us, the question is "what next?" The easiest "what next" is expanding to other partners. Anne's been busy as we laid out in the grant, she is training staff in Indiana, Minnesota and Wisconsin - just finished Wisconsin - the three pilots along with the Michigan staff. [<a href="http://www.lib.umich.edu/users/annekz" target="_blank">Anne Karle-Zenith</a>, Copyright Review Project Librarian]. This winter she'll probably incorporate staff at a California partner.</p><p>And as we bring more hands in, it puts more pressure on the training and reliability piece as more people are making determinations.</p><p><b>Minow:</b> Do you see members of the public as becoming able to add notes or comments in the future?</p><p><b>Wilkin:</b> We have a tagging application for bib records. Probably not a day passes when someone doesn't say, "I think this is in the Public Domain" or ask, "is this in the public domain?" That's what stimulates someone to look at it. So it is user driven now. We won't take someone's assertion as fact, but it provides a good starting point to do investigation.</p><p><b>Minow:</b> Do you have plans to add other materials, besides "Class A" books?</p><p><b>Wilkin:</b> In HathiTrust, we have much more than "Class A," but the only ones we're pushing into the workflow right now are "Class A." So that becomes a question for you. Then. How would we go beyond "Class A"? How could we build sustainable cost effective system? Probably going to be something piece by piece, right?</p><p><b>Minow:</b> I've heard that the Copyright Office is working on a retrospective conversion of the copyright registration and renewal records of rest of the material types, beyond "Class A books." If they make the records available in bulk, as they did with "Class A," then others can set up or build on databases like Stanford's "Determinator."</p><p><b>Wilkin:</b> Did you know that we've found about between 55% and, 60% of our materials have been found in the public domain?</p><p><b>Minow:</b> Fantastic!</p><p><b>Wilkin:</b> The numbers you see out there say like, only 15% are in copyright. Some assertions are pretty wild. There was some early work done by the copyright office, but the law was in flux at the time. Best to have something so statistically sound. I'm guessing that between pre-CRMS and CRMS, we've gone through 100,000 titles and those numbers have held. I think we have another 400,000 titles to deal with in that period. One question we have, how many titles ARE there in the 23-63 period? There's just so much indeterminacy because of variation in cataloguing practice and ways of reporting things, and so.</p><p><b>Minow:</b> Are the other 40% ones that you've determined are in copyright or you just can't figure them out?</p><p><b>Wilkin:</b> I think early on it was about 30% in copyright and 10% in UND (undetermined or undeterminable). Anne found that as staff got more experienced, they were getting stuck on complicated problems, and we often found a lower yield of public domain determinations. So Anne encouraged staff to push things to UND rather than get some finality. So the number of UND has gone up, but the numbers in the Public Domain have stayed constant. That's really a workflow strategy kind of thing.</p><p>It's exciting to get those works opened up. The surprise has come in the titles. Because of the required renewal process, it's stunning to see what was not renewed. The first time I encountered this was with my 13 year old daughter, who was doing a book report on code breakers. We found really modern materials by living mathematicians. I thought, "oh, we're in trouble." Then, looking further, these were ones where renewal did not take place. Interesting to learn the behavioral piece ...</p><p>But the numbers, the numbers are really very interesting, the 60/40 sort of thing.</p><p><b>Minow:</b> And yet, going forward, this is not going to be the case, because now there's no renewal required. An anomaly really, unless law changes again in the other direction, which doesn't seem likely.</p><p><b>Wilkin:</b> That's something for us to ponder as a society, as a culture, that these works are overwhelmingly not on the market. What's happening is, without this effort, no one is able to take advantage of the information that's there, or only in a limited way.</p><p>Another surprise is the <a href="http://www.cic.net/Home.aspx" target="_blank">Committee on Institutional Cooperation</a>, the CIC, the non-Michigan, non-Wisconsin CIC institutions, don't get back their in-copyright materials ... by contract with Google. I think what we ought to say is they don't get back those things that are putatively in copyright. With those numbers in mind, think about what are we not able to put online because they're assumed to be in copyright, when we know that 60% or some large percent are in the public domain.</p><p><b>Minow:</b> You mean, those institutions are not getting access to the full text of their own books?</p><p><b>Wilkin:</b> They stay at Google, they're embargoed. That may change with an amended agreement, but for now, Google doesn't provide them back.</p><p><b>Minow:</b> I thought those were called "library copies."</p><p><b>Wilkin:</b> It is important to call them "embargoed copies."&nbsp;<a href="http://www.ogc.umich.edu/cc_bernard.html" target="_blank">Jack Bernard</a>, our Assistant General Counsel, has asked us to use the term "rising into the public domain" instead of "falling into the public domain."</p><p><b>Minow:</b> That's a good title for this interview. Thanks so much for talking with us today.</p>]]>
        
    </content>
</entry>

<entry>
    <title>Fair Use, Free Speech and Social Value - Sept 8th - Anthony Falzone</title>
    <link rel="alternate" type="text/html" href="http://fairuse.stanford.edu/blog/2010/09/fair-use-free-speech-and-socia.html" />
    <id>tag:www.fairlyusedblog.com,2010://1.86</id>

    <published>2010-09-01T21:54:22Z</published>
    <updated>2010-09-01T21:58:31Z</updated>

    <summary><![CDATA[Fair Use, Free Speech and Social ValueAnthony Falzone, Esq. -&nbsp;Executive Director, Fair Use Project, Lecturer in&nbsp;Law,&nbsp;Stanford Law School Fair use has been enshrined as a First Amendment safeguard. But is it doing the job? A look back at recent fair...]]></summary>
    <author>
        <name>Mary Minow</name>
        <uri>http://blog.librarylaw.com/</uri>
    </author>
    
        <category term="Stanford " scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="copyrightfairuse" label="copyright fair use" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.fairlyusedblog.com/">
        <![CDATA[<span id="lblDescription"><p><em><font size="2"><font face="Verdana"><strong>Fair Use, Free Speech and Social 
Value</strong><br /></font></font><a href="http://www.law.stanford.edu/directory/profile/276/Anthony%20Falzone/"><font face="Verdana" size="2">Anthony Falzone, Esq</font></a><font face="Verdana" size="2">. 
-&nbsp;Executive Director, </font><a href="http://cyberlaw.stanford.edu/fair-use-project"><font face="Verdana" size="2">Fair Use Project</font></a><font face="Verdana" size="2">, Lecturer 
in&nbsp;Law,&nbsp;</font><a href="http://www.law.stanford.edu/"><font face="Verdana" size="2">Stanford Law School</font></a></em></p>
<p><font face="Verdana" size="2">Fair use has been enshrined as a First Amendment 
safeguard. But is it doing the job? A look back at recent fair use decisions 
suggests we might need to recalibrate the four-factor analysis to address more 
explicitly the social functions of copyright and fair use.</font><br /></p><p>Boston Bar Association, CLE - Recent Trends in Copyright and Trademark Fair Use - How Fair is Fair Enough?<br />
https://www.bostonbar.org/ebusiness/Meetings/EventDetail.aspx?ID=5014<br /></p></span> <br /> ]]>
        
    </content>
</entry>

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